Nadia Boulanger, Theo Plath, Aris Alexander Blettenberg's '3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano)' had a release date set for 2019. The duration of This song is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. 3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Theo Plath, Aris Alexander Blettenberg's "Lost Times" album is number 9 out of 13. On top of that, Germany appears to be the country where this track was created. Based on our statistics, 3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano)'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of 3 Pièces for Cello and Piano: No. 3, Vite et nerveusement rythmé (Arr. for Bassoon and Piano) by Nadia Boulanger, Theo Plath, Aris Alexander Blettenberg to be Allegro (fast, quick, and bright) because the track has a tempo of 149 BPM, a half-time of 74BPM, and a double-time of 298 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elgar: Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli | B♭ Major | 1 | 6B | 93 BPM | ||
Prelude & Fughetta in G Major, BWV 902: I. Prelude | Johann Sebastian Bach, Víkingur Ólafsson | D Major | 3 | 10B | 101 BPM | ||
Schwanenlied | Fanny Mendelssohn, Eva Oertle, Consuelo Giulianelli | G Minor | 1 | 6A | 143 BPM | ||
Berceuse, S. 174 | Franz Liszt, Benjamin Grosvenor | D♭ Major | 0 | 3B | 136 BPM | ||
Impromptu No. 2 in F-Sharp Major, Op. 36: Andantino | Frédéric Chopin, Stanislav Bunin | F♯ Major | 0 | 2B | 68 BPM | ||
Symphonie fantastique, Op. 14: Marche au supplice (Allegro non troppo) | Hector Berlioz, Swedish Radio Symphony Orchestra, Daniel Harding | B♭ Major | 2 | 6B | 147 BPM | ||
Four Seasons Winter Variation (After Violin Concerto in F Minor, Op. 8, No. 4, RV 297, III. Allegro-Lento) | Antonio Vivaldi, Martin Stadtfeld | F Minor | 1 | 4A | 117 BPM | ||
Brahms: Waltzes, Op. 39 | Johannes Brahms, Dinu Lipatti, Nadia Boulanger | B Major | 1 | 1B | 93 BPM | ||
3 Pieces for Cello and Piano: I. Modéré | Nadia Boulanger, Yoshika Masuda, HyeJin Kim | D♭ Major | 2 | 3B | 143 BPM | ||
3 Pièces for Cello and Piano: No. 1, Modéré (Arr. for Bassoon and Piano) | Nadia Boulanger, Theo Plath, Aris Alexander Blettenberg | F Major | 3 | 7B | 77 BPM |