Gounod: St. Cecilia Mass in G Major: IV. Sanctus - Charles Gounod, Georges Prêtre, Orchestre Philharmonique de Radio France Information

Acousticness: 96%
Danceability: 8%
Energy: 5%
Instrumentalness: 48%
Liveness: 12%
Loudness: 59%
Speechiness: 4%
Valence: 4%
Popularity: 15%
Loudness: -24.777 dB

Summary

"Gounod: St. Cecilia Mass in G Major: IV. Sanctus" by Charles Gounod, Georges Prêtre, Orchestre Philharmonique de Radio France was released on 1984. With this song being about 5 minutes long, at 5:29, "Gounod: St. Cecilia Mass in G Major: IV. Sanctus" by Charles Gounod, Georges Prêtre, Orchestre Philharmonique de Radio France is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Charles Gounod, Barbara Hendricks, Georges Prêtre's "Gounod: Messe Solennelle de Sainte Cécile" album is number 5 out of 8. On top of that, France appears to be the country where this track was created. Gounod: St. Cecilia Mass in G Major: IV. Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Gounod: St. Cecilia Mass in G Major: IV. Sanctus BPM

We consider the tempo marking of Gounod: St. Cecilia Mass in G Major: IV. Sanctus by Charles Gounod, Georges Prêtre, Orchestre Philharmonique de Radio France to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.

Gounod: St. Cecilia Mass in G Major: IV. Sanctus Key

F Major is the music key of this track. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Gloria, FP 144: 5. Domine Deus, Agnus Dei	Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver	E Major	1	12B	95 BPM
Sport-Polka, Polka schnell, Op. 170	Josef Strauss, Georges Prêtre, Wiener Philharmoniker	F Major	6	7B	90 BPM
Jesu, meine Freude	Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner	E♭ Minor	1	2A	79 BPM
Faust (1997 Digital Remaster): Les grand seigneurs...Ah! je ris (Jewel Song)	Georges Prêtre, Maria Callas, Orchestre De La Société Des Concerts Du Conservatoire	C Major	1	8B	103 BPM
Messe solennelle de Sainte Cécile: Credo	Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Radio France	C Major	0	8B	126 BPM
Vier letzte Lieder: 4. Im Abendrot	Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann	D Major	1	10B	117 BPM
Messe a 3 voix (Mass in 3 voices), Op. 12, M. 61: Panis angelicus	César Franck, Mariann Bódi, Atilla Wendler, Istvan Racz (bass), Dezső Karasszon, Andrea Kocsis, Zsolt Molnár, Ferenc Nagy, Debrecen Kodály Choir, Salamon Kamp	A Major	0	11B	89 BPM
La Wally / Act 1: "Ebben? Ne andrò lontana"	Alfredo Catalani, Angela Gheorghiu, Orchestra del Teatro Regio di Torino, John Mauceri	E Major	1	12B	87 BPM
Apollo e Dafne, HWV 122: Aria: Felicissima quest'alma (Most fortunate is this soul) (Dafne)	George Frideric Handel, Roberta Invernizzi, Thomas E. Bauer, La Risonanza, Fabio Bonizzoni	F♯ Major	1	2B	172 BPM
Rinaldo / Act 2: Lascia ch'io pianga	George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood	E Major	1	12B	176 BPM

ISRC: FRZ118301900
Label: L-M Records/RCA Records

Section: 0.622096061706543

End: 0.6257405281066895