"Chants D'Auvergne: Vol. I, No. 3: 3 Bourrées - L'Aio de Rotso - Ound'onoren Gorda? - Obal, Din Lou Limouzi" by Joseph Canteloube, Royal Philharmonic Orchestra, Antonio de Almeida was released on 1982. Since Chants D'Auvergne: Vol. I, No. 3: 3 Bourrées - L'Aio de Rotso - Ound'onoren Gorda? - Obal, Din Lou Limouzi is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 14 out of 14 in Frederica von Stade Sings Chants d'Auvergne by Joseph Canteloube, Frederica von Stade. Based on our statistics, Chants D'Auvergne: Vol. I, No. 3: 3 Bourrées - L'Aio de Rotso - Ound'onoren Gorda? - Obal, Din Lou Limouzi's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Chants D'Auvergne: Vol. I, No. 3: 3 Bourrées - L'Aio de Rotso - Ound'onoren Gorda? - Obal, Din Lou Limouzi by Joseph Canteloube, Royal Philharmonic Orchestra, Antonio de Almeida is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Saint-Saëns: Le carnaval des animaux, R 125: XIII. Le cygne (Arr. for Cello and Harp) | Camille Saint-Saëns, Jacqueline du Pré, Osian Ellis | G Major | 0 | 9B | 60 BPM | ||
Brahms / Orch Gamley: 5 Lieder, Op. 49: IV. Wiegenlied | Johannes Brahms, Victoria de los Ángeles, Sinfonia Of London, Rafael Frühbeck de Burgos | A Major | 1 | 11B | 121 BPM | ||
Debussy: La plus que lente, L. 121 | Claude Debussy, San Francisco Symphony, Michael Tilson Thomas | G Major | 0 | 9B | 133 BPM | ||
Concerto In D Major, RV 93: 2. Largo | Antonio Vivaldi, Avi Avital, Venice Baroque Orchestra | D Major | 1 | 10B | 77 BPM | ||
Les pêcheurs de perles, WD 13 / Act 1: "Je crois entendre encore" | Georges Bizet, Leopold Simoneau, Orchestre des Concerts Lamoureux, Jean Fournet | A Minor | 1 | 8A | 85 BPM | ||
Mahler: Symphony No. 5 in C-Sharp Minor, Part. 3: IV. Adagietto (Sehr langsam) | Gustav Mahler, Sir Simon Rattle, Berliner Philharmoniker | F Major | 0 | 7B | 80 BPM | ||
Serse: Aria - Ombra Mai Fu | Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket | D Major | 0 | 10B | 113 BPM | ||
The Fruit of Silence | Pēteris Vasks, Latvian Radio Choir, Sinfonietta Riga, Sigvards Kļava | E♭ Major | 0 | 5B | 67 BPM | ||
4 Letzte Lieder, TrV 296: No. 4, Im Abendrot | Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan | B♭ Major | 1 | 6B | 92 BPM | ||
Karelia Suite, Op.11: 1. Intermezzo (Moderato) | Jean Sibelius, Gothenburg Symphony Orchestra, Neeme Järvi | E♭ Major | 1 | 5B | 182 BPM |
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