"Serse: Aria - Ombra Mai Fu" by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket was released on January 1, 2006. The duration of Serse: Aria - Ombra Mai Fu is about 3 minutes long, at 3:18. Based on our data, "Serse: Aria - Ombra Mai Fu" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Lorraine Hunt Lieberson, Harry Bicket's "Handel Arias" album is number 20 out of 20. On top of that, United Kingdom appears to be the country where this track was created. In terms of popularity, Serse: Aria - Ombra Mai Fu is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Serse: Aria - Ombra Mai Fu by Lorraine Hunt Lieberson, Orchestra of the Age of Enlightenment, Stephen Stubbs, Phoebe Carrai, Harry Bicket to be Moderato (at a moderate speed) because the track has a tempo of 113 BPM, a half-time of 56BPM, and a double-time of 226 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Theodora, HWV 68, Act 2: "To Thee Thy Glorious Son of Worth" (Theodora, Didymus) | George Frideric Handel, Jupiter, Thomas Dunford, Iestyn Davies, Lea Desandre | E Minor | 1 | 9A | 59 BPM | ||
Almira, HWV 1, Act I Scene 10: Ich will gar von nichtes wissen | George Frideric Handel, Amanda Forsythe, Zachary Wilder, Boston Early Music Festival Orchestra, Stephen Stubbs, Paul O'Dette | B♭ Major | 1 | 6B | 117 BPM | ||
Litanei, D. 343 | Franz Schubert, Matthias Goerne, Helmut Deutsch | A♭ Major | 0 | 4B | 80 BPM | ||
Dido and Aeneas: Dido's Lament | Jessye Norman | C Minor | 2 | 5A | 89 BPM | ||
Concerto in A minor: Largo | Nicola Porpora, Lucia Swarts, Teatro Lirico, Stephen Stubbs | A♭ Minor | 0 | 1A | 123 BPM | ||
Exsultate, jubilate, K.165: 1. Exsultate, jubilate | Wolfgang Amadeus Mozart, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | F Major | 1 | 7B | 121 BPM | ||
4 Letzte Lieder, TrV 296: No. 2, September | Richard Strauss, Renée Fleming, Munich Philharmonic Orchestra, Christian Thielemann | F♯ Major | 1 | 2B | 81 BPM | ||
Monteverdi: L'Incoronazione di Poppea, SV 308, Act 3: "Pur ti moro, pur ti godo" (Poppea, Nerone) | Claudio Monteverdi, Stephen Stubbs, Suzie LeBlanc | F♯ Major | 0 | 2B | 77 BPM | ||
Almira, HWV 1, Act III Scene 12: Entweich, verlasse mich | George Frideric Handel, Amanda Forsythe, Zachary Wilder, Boston Early Music Festival Orchestra, Stephen Stubbs, Paul O'Dette | F♯ Major | 2 | 2B | 118 BPM | ||
Elgar: Sea Pictures, Op. 37: No. 3, A Sabbath Morning at Sea | Edward Elgar, Janet Baker, London Symphony Orchestra, Sir John Barbirolli | C Major | 1 | 8B | 86 BPM |
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