"Lamentations Ieremiae Prophetae: Iod I" by Alonso Lobo, Tenebrae, Nigel Short was released on March 28, 2011. With Lamentations Ieremiae Prophetae: Iod I being less than two minutes long, at 1:24, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #26 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Lamentations Ieremiae Prophetae: Iod I is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Iod I by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 88 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Lamentations Ieremiae Prophetae: Iod I being at 88 BPM, the half-time would be 44 BPM with a double-time of 176 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Jahrkreis, Op. 5: No. 39: Wie der Hirsch schreiet nach frischem Wasser | Hugo Distler, Sjaella, Ensemble Nobiles | A Minor | 1 | 8A | 98 BPM | ||
The Ground | Ola Gjeilo, Tenebrae, The Chamber Orchestra Of London | E♭ Major | 1 | 5B | 82 BPM | ||
Leon (Talbot) | Tenebrae | C Minor | 1 | 5A | 57 BPM | ||
Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... | Léonin, Tonus Peregrinus, Antony Pitts | D♭ Major | 1 | 3B | 70 BPM | ||
Finale: In principio | Hildegard von Bingen, Sequentia | A Minor | 0 | 8A | 78 BPM | ||
Friede auf Erden, Op. 13 | Arnold Schoenberg, Tenebrae, Nigel Short, BBC Symphony Orchestra | D Major | 1 | 10B | 130 BPM | ||
Burial Sentences: I Am the Resurrection and the Life – I Know That My Redeemer Liveth – We Brought Nothing Into This World – I Heard a Voice from Heaven | Thomas Tomkins, Vox Luminis, Lionel Meunier | D♭ Minor | 1 | 12A | 134 BPM | ||
Justorum Animae | Charles Villiers Stanford, Choir of St. John's College, Cambridge, Andrew Nethsingha | G Major | 0 | 9B | 145 BPM | ||
Lamentations Ieremiae Prophetae: Bonum est praestolari | Alonso Lobo, Tenebrae, Nigel Short | B Minor | 1 | 10A | 126 BPM |
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