"Lamentations Ieremiae Prophetae: Bonum est praestolari" by Alonso Lobo, Tenebrae, Nigel Short was released on March 28, 2011. With Lamentations Ieremiae Prophetae: Bonum est praestolari being less than two minutes long, at 1:17, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Victoria: Requiem Mass, 1605 by Tenebrae, Nigel Short. The song's track number on the album is #23 out of 32 tracks. Based on our data, United Kingdom was the country where this track was produced or recorded. Based on our statistics, Lamentations Ieremiae Prophetae: Bonum est praestolari's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Lamentations Ieremiae Prophetae: Bonum est praestolari by Alonso Lobo, Tenebrae, Nigel Short has a tempo of 126 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Lamentations Ieremiae Prophetae: Bonum est praestolari being at 126 BPM, the half-time would be 63 BPM with a double-time of 252 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 4/4.
B Minor is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Lord, for Thy Tender Mercy's Sake | Richard Farrant, Westminster Kantorei, Amanda Quist | A♭ Major | 1 | 4B | 77 BPM | ||
Mass in E-Flat Major (Cantus missae), Op.109: VI. Agnus Dei | Josef Rheinberger, Kammerchor Stuttgart, Ensemble Stuttgart, Frieder Bernius | E♭ Major | 1 | 5B | 76 BPM | ||
The Lord is My Shepherd | Will Todd, Tenebrae, English Chamber Orchestra, Nigel Short | E♭ Major | 2 | 5B | 80 BPM | ||
Bist du bei mir, BWV 508 | Johann Sebastian Bach, Aksel Rykkvin, Nigel Short, Orchestra of the Age of Enlightenment | D Major | 0 | 10B | 73 BPM | ||
Lamentations Ieremiae Prophetae: Iod III | Alonso Lobo, Tenebrae, Nigel Short | D Major | 2 | 10B | 128 BPM | ||
Ay je rien fet | Alexander Agricola, Unicorn Ensemble, Michael Posch | D Minor | 2 | 7A | 78 BPM | ||
Night Seasons: II. When It's Darkest, A Prayer For The Dawn | Rebecca Dale, Book of common prayer, Guy Johnston, Tenebrae, Philharmonia Orchestra, Nigel Short, Richard McVeigh | B♭ Major | 1 | 6B | 67 BPM | ||
Lobo (A): Missa Maria Magdalene - 4a. Sanctus | Alonso Lobo, The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 94 BPM | ||
Hildegard of Bingen: Mattins Antiphons for St Ursula | Hildegard von Bingen, Girl Choristers & Lay Clerks Of Winchester Cathedral, Emily Dickens, Sarah Baldock, Tempe Nell, Elizabeth French, Josie Filmer | E Major | 0 | 12B | 127 BPM | ||
Liturgy of St. John Chrysostom, Op. 41: VII. Lord Have Mercy | Pyotr Ilyich Tchaikovsky, National Choir Of The Ukraine "Dumka", Yevhen Savchuk | B♭ Major | 3 | 6B | 82 BPM |
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