"Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit..." by Léonin, Tonus Peregrinus, Antony Pitts was released on July 1, 2005. The duration of Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... is about two minutes long, specifically at 2:08. This song does not appear to have any foul language. Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit...'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Tonus Peregrinus's "Leonin / Perotin: Sacred Music From Notre-Dame Cathedral" album is number 13 out of 32. On top of that, Hong Kong appears to be the country where this track was created. Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Viderunt omnes No. 2: ...salutare suum ante conspectum gentium revelavit... by Léonin, Tonus Peregrinus, Antony Pitts to be Adagio (slowly with great expression) because the track has a tempo of 70 BPM, a half-time of 35BPM, and a double-time of 140 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Alleluia / Posui adiutorium | Pérotin, Musica Ficta, Bo Holten | G Minor | 1 | 6A | 133 BPM | ||
Во Царрствии Твоем | St. Peter St. Paul Cathedral Choir of Minsk | E Minor | 1 | 9A | 81 BPM | ||
Music Of The Gothic Era - Notre Dame Period: 4. "Locus iste" | Léonin, Charles Brett, Early Music Consort Of London, David Munrow | F Major | 1 | 7B | 132 BPM | ||
Compostela "Ad vesperas Sancti Iacobi": II. Conductus processionis "Resonet nostra domino caterva" | Codex Calixtinus, Ensemble Organum, Marcel Pérès | A Major | 2 | 11B | 136 BPM | ||
Libera me Responsorium (Trauerliturgie) | Choir Of St. Abuscus | C Major | 2 | 8B | 69 BPM | ||
Tempo Della Vita Pubblica: Kyrie 11 | Canonici Regolari Si Sant'Antimo | A♭ Major | 0 | 4B | 74 BPM | ||
In omnem terram (Chant) | Dominican House of Studies | F♯ Major | 2 | 2B | 127 BPM | ||
Le jeu de Robin et de Marion (The Play of Robin and Marion): Motet II: De ma dame / Dieus / Omnes | Adam de la Halle, Tonus Peregrinus, Antony Pitts | C Minor | 2 | 5A | 131 BPM | ||
Mass for the Nativity of the Virgin: II. Conduit à quatre voix "Deus misertus hominis" | Pérotin, Ensemble Organum, Marcel Pérès | B♭ Major | 1 | 6B | 69 BPM | ||
Psalm 114 | Tonus Peregrinus, Hereford Cathedral Choir, Geraint Bowen, Peter Dyke | E Minor | 1 | 9A | 80 BPM |
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