"Songs of the Heart, Op. 27: Som en våg (As a Wave)" by Birgit Nilsson, Geoffrey Parsons was released on July 5, 2011. The duration of Songs of the Heart, Op. 27: Som en våg (As a Wave) is about two minutes long, specifically at 2:13. This song does not appear to have any foul language. Songs of the Heart, Op. 27: Som en våg (As a Wave)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 27 out of 39 in Birgit Nilsson's Greatest Songs and Arias by Birgit Nilsson. Going off of the ISRC code of this track, we detected that the origin of this track is from Sweden. Songs of the Heart, Op. 27: Som en våg (As a Wave) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Songs of the Heart, Op. 27: Som en våg (As a Wave) by Birgit Nilsson, Geoffrey Parsons is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Faust Act 1 No.5 Chouer : "Vin ou biere" - Gounod : Faust : Act 1 "Vin ou bière!" [Wagner, Chorus] | Charles Gounod, Carlo Rizzi, Welsh National Opera Orchestra | F Major | 3 | 7B | 92 BPM | ||
Oberon, J.306 / Act 1: "Eil, edler Held!" | Carl Maria von Weber, Birgit Nilsson, Julia Hamari, Bavarian Radio Symphony Orchestra, Rafael Kubelík | C Major | 1 | 8B | 76 BPM | ||
Don Giovanni, K.527 / Act 1: "Notte e giorno faticar" | Wolfgang Amadeus Mozart, Ezio Flagello, Birgit Nilsson, Dietrich Fischer-Dieskau, Martti Talvela, Orchestra Of The National Theatre Prague, Karl Böhm | F Major | 2 | 7B | 87 BPM | ||
Verdi: Aida, Act 2: "Gloria all'Egitto, ad Iside" (Il Re, Shiave, Prigionieri, Popolo, Ramfis, Sacerdoti, Aida, Radamès, Amneris, Amonasro) | Giuseppe Verdi, Riccardo Muti, New Philharmonia Orchestra | B♭ Major | 4 | 6B | 85 BPM | ||
Verdi: Messa da Requiem: V. Liber scriptus - Dies irae | Giuseppe Verdi, Riccardo Muti, Coro Del Teatro Alla Scala Di Milano, Dolora Zajic, Orchestra Del Teatro Alla Scala, Milano | G Minor | 1 | 6A | 86 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Nabucco / Act 1: Sperate, o figli! | Giuseppe Verdi, Yevgeny Nesterenko, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli, Chor der Deutschen Oper Berlin | C Major | 1 | 8B | 137 BPM | ||
La Bohème / Act 1: "Si sente meglio?" | Giacomo Puccini, Luciano Pavarotti, Mirella Freni, Berliner Philharmoniker, Herbert von Karajan | D Minor | 1 | 7A | 124 BPM | ||
Cavalleria rusticana: Scena - Largo | Pietro Mascagni, Fiorenza Cossotto, Maria Gracia Allegri, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | C Major | 1 | 8B | 75 BPM | ||
Les Contes d'Hoffmann / Act 2: "Voici les valseurs!" | Jacques Offenbach, Gérard Friedmann, Paul Crook, Plácido Domingo, Edita Gruberova, Claudia Eder, Gabriel Bacquier, Choeurs de Radio France, Jacques Jouineau, Orchestre National De France, Seiji Ozawa | G Major | 3 | 9B | 69 BPM |
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