"Is it the Wind of the Dawn (Version for Voices & Orchestra)" by Charles Villiers Stanford, Sharon Carty, Morgan Pearse, BBC Concert Orchestra, John Andrews had its release date on June 7, 2024. The duration of This song is about two minutes long, specifically at 2:42. This song does not appear to have any foul language. Is it the Wind of the Dawn (Version for Voices & Orchestra)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 22 in the song's album "Stanford: Orchestral Songs". In this album, this song's track order is #3. Furthermore, we believe that the track originated from United Kingdom. Is it the Wind of the Dawn (Version for Voices & Orchestra) is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Is it the Wind of the Dawn (Version for Voices & Orchestra) by Charles Villiers Stanford, Sharon Carty, Morgan Pearse, BBC Concert Orchestra, John Andrews having a BPM of 84 with a half-time of 42 BPM and a double-time of 168 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I Sat Down Under His Shadow | Edward Bairstow, Westminster Choir, Joe Miller | E Major | 0 | 12B | 135 BPM | ||
Four Vocal Quartets with piano, Op. 92: I. O schöne Nacht! | Johannes Brahms, RIAS Kammerchor, Alain Planès | D♭ Major | 1 | 3B | 106 BPM | ||
Cantique de Jean Racine, Op. 11 | Gabriel Fauré, Yan Pascal Tortelier, BBC Philharmonic, City of Birmingham Symphony Chorus | D♭ Major | 0 | 3B | 70 BPM | ||
Communion Service in C Major: Agnus Dei | John Ireland, Lincoln Cathedral Choir, Charles Harrison, Aric Prentice | A Minor | 0 | 8A | 84 BPM | ||
Where All Roses Go | Michael McGlynn, Apollo5 | B Minor | 1 | 10A | 73 BPM | ||
Tallis: Sancte Deus - 4. Quia Per Crucem Tuam | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 137 BPM | ||
The Mission Chorales: Chorale 5 | George Martin, Berlin Music Ensemble, Craig Leon | E Minor | 1 | 9A | 116 BPM | ||
Cantate Domino canticum novum | Hans Leo Hassler, Voices of Ascension Chorus, Dennis Keene | D Major | 1 | 10B | 128 BPM | ||
Five English Folk Songs: 4. The Lover's Ghost (Well met, my own true love) | Ralph Vaughan Williams, London Madrigal Singers, Christopher Bishop | A♭ Minor | 1 | 1A | 166 BPM | ||
Missa prolationum, Kyrie: Kyrie eleison I | Johannes Ockeghem, The Hilliard Ensemble, Paul Hillier | E♭ Major | 1 | 5B | 67 BPM |