"Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen" by Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner was released on January 1, 1994. The duration of Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Lehár, Cheryl Studer, Barbara Bonney, Rainer Trost, Boje Skovhus, Bryn Terfel, Wiener Philharmoniker, John Eliot Gardiner, The Monteverdi Choir's "Lehár: Die lustige Witwe" album is number 23 out of 25. On top of that, Germany appears to be the country where this track was created. Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen by Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Salome, Op. 54 / Scene 4: "Ah! Du wolltest mich nicht deinen Mund" | Richard Strauss, Cheryl Studer, Orchester der Deutschen Oper Berlin, Giuseppe Sinopoli | D♭ Major | 3 | 3B | 86 BPM | ||
Rückert-Lieder: Ich bin der Welt abhanden gekommen | Gustav Mahler, Violeta Urmana, Wiener Philharmoniker, Pierre Boulez | F Major | 0 | 7B | 169 BPM | ||
Die Zauberflöte / Act 2: "O Isis und Osiris" | Wolfgang Amadeus Mozart, Kurt Moll, Vienna State Opera Chorus, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 115 BPM | ||
Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" | Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | F Major | 0 | 7B | 75 BPM | ||
La traviata / Act 2: "Lunge da lei" - "De' miei bollenti spiriti" | Giuseppe Verdi, Rolando Villazón, Wiener Philharmoniker, Carlo Rizzi | A♭ Major | 1 | 4B | 88 BPM | ||
Don Giovanni, K. 527: Act II Scene 6: Aria: Vedrai, carino (Zerlina) | Wolfgang Amadeus Mozart, Bo Skovhus, Janusz Monarcha, Adrianne Pieczonka, Torsten Kerl, Regina Schorg, Renato Girolami, Boaz Daniel, Ildiko Raimondi, Hungarian Radio Chorus, Nicolaus Esterhazy Sinfonia, Michael Halasz | E♭ Major | 2 | 5B | 125 BPM | ||
Paulus, Op.36, MWV A14 / Part 1: No.7 Arie: "Jerusalem! Die du tötest die Propheten" | Felix Mendelssohn, Gundula Janowitz, Gewandhausorchester, Kurt Masur | D Major | 1 | 10B | 117 BPM | ||
Offenbach: Robinson Crusoë, Act 2: "Conduisez-moi vers celui que j'adore" (Edwige) | Jacques Offenbach, Natalie Dessay, Michel Plasson, Orchestre Du Capitole De Toulouse | A Major | 2 | 11B | 100 BPM | ||
The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls | Franz Lehár, Regina Resnik, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge | D Major | 2 | 10B | 79 BPM | ||
Tosca / Act I: Mario! Mario! Mario! | Giacomo Puccini, Katia Ricciarelli, José Carreras, Berliner Philharmoniker, Herbert von Karajan | A♭ Major | 0 | 4B | 104 BPM |
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