Franz Lehár, Regina Resnik, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge made "The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls" available on January 1, 1978. The duration of The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls is about 3 minutes long, at 3:07. Based on our data, "The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The track order of this song in Franz Lehár, Joan Sutherland, Valerie Masterson, Regina Resnik, Werner Krenn, John Brecknock, National Philharmonic Orchestra, Richard Bonynge's "Léhar - The Merry Widow - Highlights" album is number 13 out of 14. The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of The Merry Widow / Act 2: Cancan: We're the famous Maxime playgirls by Franz Lehár, Regina Resnik, Ambrosian Singers, National Philharmonic Orchestra, Richard Bonynge to be Andante (at a walking pace) because the track has a tempo of 79 BPM, a half-time of 40BPM, and a double-time of 158 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Werther: "Pourquoi me réveiller, ô souffle du printemps?" | Jules Massenet, Benjamin Bernheim, PKF – Prague Philharmonia, Emmanuel Villaume | F♯ Minor | 1 | 11A | 79 BPM | ||
Carmen, Act IV, No.26 Marche et Choeur: Les voici! Voici le quadrille! (Choeurs/Enfants) | Georges Bizet, Choeur Les Elements, Orchestre National Du Capitole De Toulouse, Michel Plasson, Wolff | D♭ Minor | 2 | 12A | 93 BPM | ||
Jazz Suite No. 2: I. March | Dmitri Shostakovich, Russian State Symphony Orchestra, Dmitry Yablonsky | F Major | 4 | 7B | 116 BPM | ||
Als flotter Geist – Ja, das alles auf Ehr‘ - aus „Der Zigeunerbaron“ | Rudolf Schock | G Major | 4 | 9B | 83 BPM | ||
Gold and Silver Waltz, Op. 79 | Franz Lehár, Tonhalle-Orchester Zürich | C Major | 1 | 8B | 98 BPM | ||
La Gioconda, Op. 9: Cielo e mar! | Amilcare Ponchielli, Jonathan Tetelman, Orquesta Filarmónica de Gran Canaria, Karel Mark Chichon | E Minor | 0 | 9A | 79 BPM | ||
Serenade in C Major, Op. 48: II. Walzer | Pyotr Ilyich Tchaikovsky, Vienna Chamber Orchestra, Philippe Entremont | G Major | 2 | 9B | 180 BPM | ||
In mir klingt ein Lied | Anneliese Rothenberger | E Major | 2 | 12B | 189 BPM | ||
Owami - Lehar Remix | Oluhle, Collé, Franz Lehár | F Minor | 8 | 4A | 120 BPM | ||
L'arlesiana / Act 2: È la solita storia (Lamento di Federico) | Francesco Cilea, José Carreras, Zubin Mehta, Orchestra Del Teatro Dell'Opera Di Roma, Orchestra del Maggio Musicale Fiorentino | A Minor | 2 | 8A | 79 BPM |
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