"Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen"" by Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner was released on January 1, 1991. Since Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The song is number 1 out of 7 in Brahms: Requiem by Johannes Brahms, Charlotte Margiono, Rod Gilfry, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner. Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ein deutsches Requiem, Op.45: 1. Chor: "Selig sind, die da Leid tragen" by Johannes Brahms, The Monteverdi Choir, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner is Adagio (slowly with great expression), since this song has a tempo of 75 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die lustige Witwe / Act III: "Aber dort bin ich zu Hause.." Lippen schweigen | Franz Lehár, Boje Skovhus, Cheryl Studer, Wiener Philharmoniker, John Eliot Gardiner | G Major | 0 | 9B | 72 BPM | ||
Pulcinella Suite: I. Sinfonia | Igor Stravinsky, Tapiola Sinfonietta, Masaaki Suzuki | G Major | 0 | 9B | 91 BPM | ||
String Quartet No.1 In C Minor, Op.51 No.1: 2. Romanze (Poco adagio) - 2007 Recording | Johannes Brahms, Emerson String Quartet | A♭ Major | 0 | 4B | 81 BPM | ||
Slovak Suite, Op. 32: I. In the Church. Andante | Vítězslav Novák, Prague Philharmonia, Jiří Bělohlávek | G Major | 1 | 9B | 73 BPM | ||
Nien, Geliebter, Setze Dich | Georg Friedrich Daumer, Johannes Brahms, One Voice Mixed Chorus, Jane Ramseyer Miller | E Major | 0 | 12B | 86 BPM | ||
Requiem in D Minor, Op. 48: Offertoire | Gabriel Fauré, Tenebrae, William Gaunt, LSO Chamber Ensemble, Nigel Short | D Major | 0 | 10B | 74 BPM | ||
St. John Passion, BWV 245: Part I: Chorale: Dein Will gescheh, Herr Gott, zugleich (Chorus) | Johann Sebastian Bach, Joanne Lunn, Katherine Fuge, Bernarda Fink, Mark Padmore, Robert Murray, Paul Tindall, Hanno Müller-Brachmann, Peter Harvey, Julian Clarkson, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | D♭ Minor | 2 | 12A | 71 BPM | ||
Ein deutsches Requiem, Op. 45: Andante moderato - Herr, lehre doch mich - 1997 Digital Remaster | Johannes Brahms, Elisabeth Schwarzkopf, Dietrich Fischer-Dieskau, The Philharmonia Chorus, Philharmonia Orchestra, Ralph Downes, Reinhold Schmid, Otto Klemperer | D Major | 2 | 10B | 132 BPM | ||
Requiem, Op. 9: V. Pie Jesu (1961 Version) | Maurice Duruflé, Orchestra of the Age of Enlightenment, Stephen Cleobury, Patricia Bardon | A♭ Major | 0 | 4B | 79 BPM | ||
Symphony No. 5 in E-Flat Major, Op. 82: 2. Andante mosso, quasi allegretto | Jean Sibelius, Boston Symphony Orchestra, Sir Colin Davis | G Major | 0 | 9B | 80 BPM |
Section: 0.6890132427215576
End: 0.6935632228851318