Zelmira / Act 2: "Riedi al soglio" - Gioachino Rossini, Cecilia Bartoli, Chorus Del Gran Teatro La Fenice, Orchestra Del Gran Teatro La Fenice, Ion Marin Information

Acousticness: 91%
Danceability: 40%
Energy: 21%
Instrumentalness: 91%
Liveness: 30%
Loudness: 71%
Speechiness: 4%
Valence: 38%
Popularity: 0%
Loudness: -17.236 dB

Summary

Gioachino Rossini, Cecilia Bartoli, Chorus Del Gran Teatro La Fenice, Orchestra Del Gran Teatro La Fenice, Ion Marin's 'Zelmira / Act 2: "Riedi al soglio"' came out on July 24, 2020. Since Zelmira / Act 2: "Riedi al soglio" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Gioachino Rossini's "Lavorare con Rossini" album is number 30 out of 31. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Zelmira / Act 2: "Riedi al soglio"'s popularity is unknown right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.

Zelmira / Act 2: "Riedi al soglio" BPM

We consider the tempo marking of Zelmira / Act 2: "Riedi al soglio" by Gioachino Rossini, Cecilia Bartoli, Chorus Del Gran Teatro La Fenice, Orchestra Del Gran Teatro La Fenice, Ion Marin to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.

Zelmira / Act 2: "Riedi al soglio" Key

This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Moment Musical in F Minor, Op. 94, No. 3, D. 780 (arr. for chamber ensemble)	Anonymous , Franz Schubert, Budapest Strings, Bela Banfalvi	F Minor	0	4A	101 BPM
Fidelio op.72 - Edited Helga Lühning & Robert Didio / Act 1: O welche Lust	Ludwig van Beethoven, Juan Sebastian Acosta, Levente Pall, Arnold Schoenberg Chor, Lucerne Festival Orchestra, Mahler Chamber Orchestra, Claudio Abbado	B♭ Major	0	6B	100 BPM
Tritsch-Tratsch-Polka, Op. 214	Johann Strauss II, Leonard Bernstein, New York Philharmonic	A Major	5	11B	155 BPM
Violin Concerto No. 1 in G Minor, Op. 26: III. Allegro energico	Max Bruch, Itzhak Perlman, Bernard Haitink, Concertgebouworkest	G Major	3	9B	97 BPM
Souvenir d'un lieu cher, Op.42: 2. Scherzo	Pyotr Ilyich Tchaikovsky, Janine Jansen, Mahler Chamber Orchestra, Daniel Harding	C Minor	2	5A	97 BPM
Bizet: Carmen, Act 2: "Les tringles des sistres tintaient" (Carmen, Frasquita, Mercédès)	Georges Bizet, Maria Callas, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris	C Major	2	8B	138 BPM
Carmen Ballet Suite (after Bizet): IX. Torero	Rodion Shchedrin, Slovenian Symphony Orchestra, Anton Nanut	F Major	5	7B	115 BPM
L'elisir d'amore: Overture (Preludio)	Gaetano Donizetti, English Chamber Orchestra, Richard Bonynge	D Major	0	10B	169 BPM
Lucia di Lammermoor / Act 3: Oh, giusto cielo!...Il dolce suono	Gaetano Donizetti, Dame Joan Sutherland, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge	F Minor	1	4A	92 BPM
Orpheus in the Underworld: Cancan	Jacques Offenbach, Semyon Bychkov, Wiener Philharmoniker	D Major	6	10B	152 BPM

ISRC: GBF079110161
Label: L-M Records/RCA Records

Section: 0.641730546951294

End: 0.6453053951263428