Thomas Weelkes, 4x4 Frauenchor der Pädagogische Hochschule, Heike Kiefner-Jesatko's 'Thus sings my dearest jewel' came out on May 1, 2015. With Thus sings my dearest jewel being less than two minutes long, at 1:28, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There is only one song in 4x4: Frauenchor der Pädagogischen Hochschule Heidelberg, so we believe that "Thus sings my dearest jewel" is a single. Thus sings my dearest jewel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Thus sings my dearest jewel by Thomas Weelkes, 4x4 Frauenchor der Pädagogische Hochschule, Heike Kiefner-Jesatko is Andante (at a walking pace), since this song has a tempo of 84 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
O Taste and See | Ralph Vaughan Williams, The Choir Of Westminster Abbey, James O'Donnell | A Minor | 0 | 8A | 75 BPM | ||
Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 | Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe | C Major | 1 | 8B | 143 BPM | ||
Romanzen, Book 2, Op. 91: No. 5. Der Bleicherin Nachtlied | Robert Schumann, Aquarius, Marc Michael de Smet | G Minor | 0 | 6A | 75 BPM | ||
Missa ex B: XI. Credo - Live at Melk Abbey, 5/30/2004 | Heinrich Ignaz Franz von Biber, Cappella Nova Graz, Otto Kargl | B♭ Major | 3 | 6B | 86 BPM | ||
Missa Presulem ephebeatum: I. Kyrie | Heinrich Isaac, Cappella Mariana, Vojtěch Semerád | D Minor | 2 | 7A | 83 BPM | ||
Mass of the Americas: IV. Offertory "Ave Maria" | Frank La Rocca, The Benedict XVI Choir, Richard Sparks | C Minor | 3 | 5A | 133 BPM | ||
Choral Dances from 'Gloriana': Concord | Benjamin Britten, RIAS Kammerchor, Justin Doyle | E Minor | 1 | 9A | 95 BPM | ||
Brewer: Nunc Dimittis in D | Blackburn Cathedral Choir, Blackburn Cathedral Girls' Choir, The Renaissance Singers of Blackburn Cathedral | D Major | 1 | 10B | 135 BPM | ||
Mass for unaccompanied double choir: IV. Sanctus | Frank Martin, RIAS Kammerchor, Daniel Reuss | D Major | 1 | 10B | 85 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": Celia, That I Once Was Blest (Soprano) | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 0 | 11A | 115 BPM |
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