"Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386" by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe was released on 1996. With this song being around four minutes long, at 4:07, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 16 in the song's album "Schütz: Geistliche Chormusik". In this album, this song's track order is #9. Based on our statistics, Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Geistliche Chormusik: Die Himmel erzählen die Ehre Gottes, SWV 386 by Heinrich Schütz, Collegium Vocale Gent, Philippe Herreweghe having a BPM of 143 with a half-time of 72 BPM and a double-time of 286 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mass for Double Choir: Sanctus | Frank Martin, Mikaeli Chamber Choir, Anders Eby | D Major | 1 | 10B | 130 BPM | ||
Brahms: Geistliches lied Op. 30 | St. Albans Cathedral Choir, Simon Johnson | E♭ Major | 1 | 5B | 70 BPM | ||
Messe brève No. 7: IIa. Domine Fili unigenite | Charles Gounod, Mirko Ludwig, Gunter Troje, Tobias Gotting, Kammerchor I Vocalisti, Hans-Joachim Lustig | F Major | 0 | 7B | 137 BPM | ||
Die Schöpfung, Hob. XXI:2, Zweiter Teil: VII. Rezitativ "Gleich öffnet sich der Erde Schoß" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Rudolf Rosen | D Minor | 0 | 7A | 104 BPM | ||
Paulus: II. Teil: Nr. 25 Chor "Wie lieblich sind die Boten" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | G Major | 1 | 9B | 95 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Now, Oh Now I Needs Must Part | John Dowland, Grace Davidson, David Miller | G Major | 0 | 9B | 103 BPM | ||
Three Elizabethan Partsongs: I. Sweet Day | Ralph Vaughan Williams, Quink Vocal Ensemble | E Minor | 0 | 9A | 91 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Stabat Mater, Op. 58: V. Tui nati vulnerati (Andante con moto, quasi allegretto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | E♭ Major | 0 | 5B | 81 BPM |
Section: 0.7353019714355469
End: 0.7382481098175049