Frank La Rocca, The Benedict XVI Choir, Richard Sparks's 'Mass of the Americas: IV. Offertory "Ave Maria"' came out on September 23, 2022. With this song being about 5 minutes long, at 5:27, "Mass of the Americas: IV. Offertory "Ave Maria"" by Frank La Rocca, The Benedict XVI Choir, Richard Sparks is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 4 out of 12 in Frank La Rocca: Mass of the Americas by Frank La Rocca, The Benedict XVI Choir, The Benedict XVI Orchestra, Richard Sparks. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. Based on our statistics, Mass of the Americas: IV. Offertory "Ave Maria"'s popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Mass of the Americas: IV. Offertory "Ave Maria" by Frank La Rocca, The Benedict XVI Choir, Richard Sparks is Allegro (fast, quick, and bright), since this song has a tempo of 133 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
St. John Passion, Part I: Sing, My Tongue, the Glorious Battle | Bob Chilcott, Laurie Ashworth, Ed Lyon, Darren Jeffrey, Neal Davies, Nick Baron, Chaconne Brass, Wells Cathedral Choir, Matthew Owens | C Minor | 4 | 5A | 163 BPM | ||
Farewell the Bliss | The Royal Wind Music | B♭ Minor | 1 | 3A | 91 BPM | ||
A New Commandment | Richard Shephard, The Ecclesium Choir, Philip Stopford | E Major | 1 | 12B | 77 BPM | ||
Annelies (chamber version): VI. Courage | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | B Minor | 0 | 10A | 137 BPM | ||
Corpus Christi | Gregorian Chants, Cantori Gregoriani | B Major | 1 | 1B | 75 BPM | ||
In nomine Iesu: Adoramus te | Loyset Compère, Odhecaton, Paolo da Col | C Major | 1 | 8B | 70 BPM | ||
Missa Sanctae Crucis, MH 56: Kyrie | Michael Haydn, Purcell Choir, Orfeo Orchestra, members, Gyorgy Vashegyi | G Major | 3 | 9B | 100 BPM | ||
Only Begotten Son | Kiev Chamber Choir | F Major | 1 | 7B | 132 BPM | ||
Easter Stikhere | Victoria Vita Polevá, Apollo5 | D Major | 0 | 10B | 88 BPM | ||
Qui confidunt | Kryštof Harant, Cappella Mariana, Vojtěch Semerád | A Minor | 1 | 8A | 82 BPM |
Section: 0.5858759880065918
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