"Dagmar Vals" by Hans Christian Lumbye, Tivoli Symphony Orchestra was released on February 9, 2000. With this song being about 5 minutes long, at 4:48, "Dagmar Vals" by Hans Christian Lumbye, Tivoli Symphony Orchestra is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Hans Christian Lumbye's "Lumbye: Complete Orchestral Works, Vol. 4" album is number 5 out of 14. On top of that, Hong Kong appears to be the country where this track was created. In terms of popularity, Dagmar Vals is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Dagmar Vals by Hans Christian Lumbye, Tivoli Symphony Orchestra to be Andante (at a walking pace) because the track has a tempo of 107 BPM, a half-time of 54BPM, and a double-time of 214 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Roman Carnival Overture, Op. 9, H. 95 | Hector Berlioz, Charles Münch | A Major | 3 | 11B | 90 BPM | ||
Ballet Suite No. 1 (Arr. Lev Atovmyan): V. Waltz-Joke from "The Bolt" | Dmitri Shostakovich, Neeme Järvi, Royal Scottish National Orchestra | F Major | 1 | 7B | 81 BPM | ||
Hungarian Dance No. 5 in G Minor | London Philharmonic Orchestra | G Minor | 2 | 6A | 139 BPM | ||
Verdi: Rigoletto, Act 3: "La donna è mobile" (Instrumental Version, Arr. Pryce Jackman) | Giuseppe Verdi, Sir Neville Marriner, Academy of St. Martin in the Fields | A Minor | 0 | 8A | 80 BPM | ||
Sinfonie Nr. 3 c-Moll, Op. 78, "Orgelsinfonie": 2. Maestoso - Allegro - Più allegro - Molto allegro - Pesante (Ein Schweinchen names Babe): II. Maestoso - Allegro - Piu allegro - Molto allegro - Pesante | Camille Saint-Saëns, Imrich Szabo, Slovak Radio Symphony Orchestra, Stephen Gunzenhauser | G Major | 2 | 9B | 101 BPM | ||
Io sono docile | Gioachino Rossini, Roberta Peters, Erich Leinsdorf, Metropolitan Opera Orchestra | F Major | 3 | 7B | 83 BPM | ||
Terpsichore, Op. 37 (Version for Orchestra) | Julius Fučík, Czech Philharmonic Chamber Orchestra, Marek Štilec | D Major | 2 | 10B | 84 BPM | ||
Pomp and Circumstance March No. 1 in D Major, Op .39, No. 1 | Edward Elgar, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 89 BPM | ||
Bizet: Carmen: No. 1 Prélude | Georges Bizet, Michel Plasson, Orchestre National Du Capitole De Toulouse, Wolff | D Minor | 3 | 7A | 129 BPM | ||
My Own Lover | Ria Mbanefo | B♭ Major | 3 | 6B | 83 BPM |
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