The Messiah: Part. II, Aria (Why do the nations - Lithuanian Chamber Orchestra Information

Acousticness: 98%
Danceability: 44%
Energy: 44%
Instrumentalness: 1%
Liveness: 10%
Loudness: 76%
Speechiness: 5%
Valence: 45%
Popularity: 1%
Loudness: -14.26 dB

Summary

Lithuanian Chamber Orchestra made "The Messiah: Part. II, Aria (Why do the nations" available on November 28, 2008. The duration of The Messiah: Part. II, Aria (Why do the nations is about 3 minutes long, at 3:02. Based on our data, "The Messiah: Part. II, Aria (Why do the nations" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 53 in the song's album "The Messiah". In this album, this song's track order is #39. Based on our statistics, The Messiah: Part. II, Aria (Why do the nations's popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.

The Messiah: Part. II, Aria (Why do the nations BPM

With The Messiah: Part. II, Aria (Why do the nations by Lithuanian Chamber Orchestra having a BPM of 131 with a half-time of 66 BPM and a double-time of 262 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.

The Messiah: Part. II, Aria (Why do the nations Key

This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Hummel: Grand Concerto for Bassoon and Orchestra in F Major, WoO 23: I. Allegro moderato (Transcr. M. Nakariakov for Trumpet and Orchestra)	Johann Nepomuk Hummel, Sergei Nakariakov, Saulius Sondeckis, Lithuanian Chamber Orchestra	G Major	3	9B	94 BPM
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro	Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz	D Major	2	10B	126 BPM
Piano Concerto No. 5 in F Minor, BWV 1056: I. Allegro	Andrei Ivanovich, Lithuanian Chamber Orchestra	A♭ Major	0	4B	104 BPM
Keyboard Sonata in D Minor, Kk. 1	Domenico Scarlatti, Ivo Pogorelich	D Minor	1	7A	107 BPM
Saint-Saëns / Transcr. Nakariakov for Flugelhorn and Orchestra: Cello Concerto No. 1 in A Minor, Op. 33: III. Molto allegro	Camille Saint-Saëns, Sergei Nakariakov, Saulius Sondeckis, Lithuanian Chamber Orchestra	G Major	3	9B	94 BPM
Clarinet Quintet in B Minor, Op. 115: II. Adagio - Più lento	Johannes Brahms, Martin Fröst, Janine Jansen, Boris Brovtsyn, Maxim Rysanov, Torleif Thedéen	G Major	0	9B	85 BPM
Musiche sacre: No. 23, Canzon à 3	Francesco Cavalli, London Baroque	A♭ Minor	1	1A	122 BPM
Poulenc: Flute Sonata, FP 164: III. Presto giocoso	Francis Poulenc, Emmanuel Pahud, Eric Le Sage	C Major	1	8B	83 BPM
Sonata No.1 in F major for Cello and Piano, Op. 5 No.1 : II. Allegro vivace	Igor Uryash, Sergei Slovachevsky	F Major	1	7B	140 BPM
Violin Concerto No. 3 in B Minor, Op. 61: I. Allegro non troppo	Camille Saint-Saëns, Itzhak Perlman, Orchestre de Paris, Daniel Barenboim	A Minor	2	8A	113 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.673072338104248

End: 0.6773569583892822