- BPM
- 94
- Key
- B Minor
- Camelot
- 10A
La Lontananza: Aria: Chi Troppo Tempo - Alessandro Marcello, Venice Baroque Orchestra Information
- Acousticness
- 95%
- Danceability
- 25%
- Energy
- 16%
- Instrumentalness
- 0%
- Liveness
- 9%
- Loudness
- 68%
- Speechiness
- 5%
- Valence
- 20%
- Popularity
- 10%
- Loudness
- -18.975 dB
Summary
Alessandro Marcello, Venice Baroque Orchestra's 'La Lontananza: Aria: Chi Troppo Tempo' came out on 1998. With La Lontananza: Aria: Chi Troppo Tempo being less than two minutes long, at 1:36, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Alessandro Marcello, Venice Baroque Orchestra's "Marcello: Concerto in D minor - Unpublished Concertos and Cantatas" album is number 12 out of 22. In terms of popularity, La Lontananza: Aria: Chi Troppo Tempo is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
La Lontananza: Aria: Chi Troppo Tempo BPM
We consider the tempo marking of La Lontananza: Aria: Chi Troppo Tempo by Alessandro Marcello, Venice Baroque Orchestra to be Andante (at a walking pace) because the track has a tempo of 94 BPM, a half-time of 47BPM, and a double-time of 188 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
La Lontananza: Aria: Chi Troppo Tempo Key
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Sonata D major | Georg Muffat, John Holloway, Aloysia Assenbaum-Holloway, Lars Ulrik Mortensen | D♭ Major | 2 | 3B | 109 BPM | |
 | Viola Concerto in C Minor: III. Allegro molto energico | Johann Christian Bach, Henri Casadesus, Nemanja Radulović, Double Sens | G Minor | 3 | 6A | 79 BPM | |
 | Concerto a cinque No. 2, Op. 9: II. Adagio | Tomaso Albinoni, Paul Dombrecht, Il Fondamento | A Major | 1 | 11B | 45 BPM | |
 | Bach, CPE: Flute Concerto in A Minor, Wq. 166: I. Allegro assai | Carl Philipp Emanuel Bach, Emmanuel Pahud, Trevor Pinnock, Kammerakadamie Potsdam | A Minor | 2 | 8A | 87 BPM | |
 | Stabat Mater: 3. O quam tristis | Giovanni Battista Pergolesi, Margaret Marshall, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | G Minor | 1 | 6A | 80 BPM | |
 | Concerto in B-Flat Major, Op. 4, No. 6: Concerto in B-Flat Major, Op. 4, No. 6: I. Andante allegro | George Frideric Handel, Richard Egarr, Academy of Ancient Music | A Major | 0 | 11B | 79 BPM | |
 | Les chemins de l'amour, FP. 106 | Francis Poulenc, Mischa Maisky, Daria Hovora | E Major | 1 | 12B | 67 BPM | |
 | Concerto Per Oboe, Archi E Continuo In Re Minore: I. Andante Spiccato | Alessandro Marcello, Venice Baroque Orchestra | D♭ Minor | 0 | 12A | 79 BPM | |
 | Piano Concerto in G Major, M. 83: II. Adagio assai | Maurice Ravel, Krystian Zimerman, Cleveland Orchestra, Pierre Boulez | E Major | 0 | 12B | 74 BPM | |
 | Mendelssohn: Song Without Words in D Major, Op. 109, MWV Q34 | Felix Mendelssohn, Jacqueline du Pré, Gerald Moore | D Major | 0 | 10B | 93 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.701941967010498
End: 0.7081294059753418