"Chamber Music: XXI. Of that so sweet imprisonment" by G. Molyneux Palmer, Martyn Hill, Peter Dickinson had its release date on November 6, 2020. With This song being less than two minutes long, at 1:11, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Martyn Hill, Peter Dickinson, Meriel Dickinson's "James Joyce's Favourite Songs" album is number 21 out of 45. Chamber Music: XXI. Of that so sweet imprisonment is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Chamber Music: XXI. Of that so sweet imprisonment by G. Molyneux Palmer, Martyn Hill, Peter Dickinson to be Lento (slowly) because the track has a tempo of 56 BPM, a half-time of 28BPM, and a double-time of 112 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Fidelio, Op. 72, Act I: Mir ist so wunderbar | Ludwig van Beethoven, Marek Janowski, Dresdner Philharmonie, Lise Davidsen, Christina Landshamer, Georg Zeppenfeld, Cornel Frey | E Major | 2 | 12B | 118 BPM | ||
Nuit d'étoiles, L. 4 | Claude Debussy, Jessye Norman, James Levine | E♭ Major | 0 | 5B | 174 BPM | ||
Petite messe solennelle: XII. Credo. Crucifixus | Gioachino Rossini, Giulio Prandi, Sandrine Piau, Francesco Corti, Deniel Perer | D Minor | 3 | 7A | 101 BPM | ||
Every time we say goodbye | Cole Porter, Ian Bostridge, Brad Mehldau | E♭ Major | 0 | 5B | 134 BPM | ||
O cessate di piagarmi (from Il Pompeo) | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | E Minor | 0 | 9A | 68 BPM | ||
Renouveau | Lili Boulanger, Antonii Baryshevskyi, Orpheus Vokalensemble, Michael Alber | E♭ Major | 1 | 5B | 71 BPM | ||
Haugtussa, Op. 67: IV. Møte | Charlotte Hoather, George Todica | F Major | 2 | 7B | 105 BPM | ||
2 Songs of Walt Whitman: No. 2, Here the Frailest Leaves of Me | Ronald Roxbury, Patrick Mason, Susan Palma-Nidel, David Starobin | D Major | 0 | 10B | 97 BPM | ||
Wesendonck Lieder, WWV 91: Der Engel | Richard Wagner, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | C Major | 1 | 8B | 190 BPM | ||
Songs of Travel: In Dreams | Ralph Vaughan Williams, Roderick Williams, Iain Burnside | D♭ Major | 1 | 3B | 66 BPM |