Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod's 'Lobet den Herrn alle Heiden, BWV 230' had a release date set for May 26, 2011. This song is about six minutes long, preciously at 6:17, making this song fairly long compared to other songs. The song is number 17 out of 21 in Bach: Motetten, BWV 225-230 by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Lobet den Herrn alle Heiden, BWV 230 is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Lobet den Herrn alle Heiden, BWV 230 by Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maria Keohane, Robin Blaze, Hans-Jörg Mammel, Stephan MacLeod is Andante (at a walking pace), since this song has a tempo of 81 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Music: Stolzel: Bist Du Bei Mir | John Shrapnel, Jeremy Siepmann, Johann Sebastian Bach | E♭ Major | 1 | 5B | 64 BPM | ||
Fantasia And Fugue In A Minor, BWV 904 : Fantasia | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 138 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, James Bowman, Academy of Ancient Music, Christopher Hogwood | D Major | 1 | 10B | 95 BPM | ||
Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" | Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge | F♯ Major | 1 | 2B | 102 BPM | ||
Tenebrae Responsories, Feria quinta: II. Tristis est anima mea | Carlo Gesualdo, Philippe Herreweghe, Collegium Vocale Gent | D Minor | 1 | 7A | 171 BPM | ||
II. Der Friede Sei Mit Dir BWV 158, 4. Choral (Coro): Hier Ist Das Rechte Osterlamm | Holland Boys Choir, Netherlands Bach Collegium, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Bas Ramselaar, Pieter Jan Leusink | E♭ Minor | 1 | 2A | 144 BPM | ||
II. Warum Betrübst Du Dich, Mein Herz? BWV 138, Choral (Coro): Weil Du Mein Gott Und Vater Bist | Holland Boys Choir, Netherlands Bach Collegium, Knut Schoch, Peter Frankenberg, Sytse Buwalda, Johann Sebastian Bach, Marjon Strijk, Frenkel, Bas Ramselaar, Pieter Jan Leusink | B♭ Minor | 2 | 3A | 144 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Major | 2 | 5B | 126 BPM | ||
Kirchenmusik, Op. 23: II. Ave Maria, MWV B20 | Felix Mendelssohn, La Chapelle Royale, Collegium Vocale Gent, Orchestre de chambre de Paris, Philippe Herreweghe | D Major | 1 | 10B | 77 BPM | ||
I. Wo Soll Ich Fliehen Hin BWV 5, (1) Coro: Wo Soll Ich Fliehen Hin | Holland Boys Choir, Netherlands Bach Collegium, Peter Frankenberg, Nico Van Der Meel, Ruth Holton, Sytse Buwalda, Johann Sebastian Bach, Kristin Linde, Pieter Jan Leusink | F♯ Minor | 2 | 11A | 171 BPM |