"Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!"" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge was released on 1999. The duration of Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" is about two minutes long, specifically at 2:17. This song does not appear to have any foul language. Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!"'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Johann Sebastian Bach, Philippe Herreweghe, Collegium Vocale Gent's "J.S. Bach: Matthäus-Passion BWV 244" album is number 16 out of 68. In terms of popularity, Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" is currently below average in popularity. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
We consider the tempo marking of Matthäus-Passion, BWV 244, Zweiter Teil: 45a. Evangelista, Pilatus, Uxor Pilatus, Chorus I & II "Auf das Fest aber hatte der Landpfleger" - 45b. Chorus I & II "Laß ihn kreuzigen!" by Johann Sebastian Bach, Collegium Vocale Gent, Sibylla Rubens, Philippe Herreweghe, Ian Bostridge to be Andante (at a walking pace) because the track has a tempo of 102 BPM, a half-time of 51BPM, and a double-time of 204 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Christ unser Herr zum Jordan kam, BWV 7: Recitative: Dies hat Gott klar (Tenor) | Johann Sebastian Bach, Wilke te Brummelstroete, Paul Agnew, Dietrich Henschel, The Monteverdi Choir, English Baroque Soloists, John Eliot Gardiner | A♭ Minor | 1 | 1A | 79 BPM | ||
Matthäus Passion, Prima Parte: 13. Aria (Soprano): Ich Will Dir Mein Herze Schenken | Stephen Cleobury, Michael George, Johann Sebastian Bach, Rogers Covey-Crump, Michael Chance, Martyn Hill, Emma Kirkby, Choir of King's College, Cambridge, David Thomas | F♯ Major | 0 | 2B | 72 BPM | ||
St. John Passion, BWV 245 / Part Two: No.30 Aria (Alt): " Es ist vollbracht " | Johann Sebastian Bach, Michael Chance, Richard Campbell, English Baroque Soloists, John Eliot Gardiner | D Major | 1 | 10B | 74 BPM | ||
Johannes-Passion, BWV 245, Pt. 1: II. Jesus ging mit seinen Jüngern (Recitative) | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Maximilian Schmitt, Krešimir Stražanac | D Major | 1 | 10B | 70 BPM | ||
Bach, JS: Matthäus-Passion, BWV 244, Pt. 1: No. 4, Rezitative und Chöre. "Da versammleten sich die Hohenpriester" | Johann Sebastian Bach, Nikolaus Harnoncourt, Arnold Schönberg Choir, Vienna Boys' Choir, Christoph Prégardien, Matthias Goerne, Concentus Musicus Wien | D♭ Minor | 1 | 12A | 93 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. Arioso: No. 20, So heb ich denn mein Auge sehnlich auf, BWV 1088 | Carl Heinrich Graun, Johann Sebastian Bach, Dominik Worner, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Wer ist der, so von Edom kömmt BWV 1167: I. No. 19 Herr Jesu Christ, wahr' Mensch und Gott, BWV 127/1 (Variante) | Carl Heinrich Graun, Johann Sebastian Bach, Bach Collegium Japan, Masaaki Suzuki | E♭ Minor | 2 | 2A | 74 BPM | ||
Paulus: II. Teil: Nr. 42 Chor "Sehet, welch eine Liebe" | Felix Mendelssohn, Collegium Vocale Gent, Philippe Herreweghe, La Chapelle Royale | A Major | 0 | 11B | 80 BPM | ||
Vespro della Beata Vergine, SV 206: I. Deus in adiutorium | Claudio Monteverdi, Philippe Herreweghe, Collegium Vocale Gent | G Minor | 1 | 6A | 79 BPM | ||
II. Der Himmel Lacht! Die Erde Jubilieret BWV 31, 1. Sonata | Holland Boys Choir, Netherlands Bach Collegium, Vincent Van Ballegooien, Sytse Buwalda, Johann Sebastian Bach, Ruth Holton, Nico Van Der Meel, Susan Williams, Peter Frankenberg, Bas Ramselaar, Hendrik Jan Houtsma, Eduard Wesley, Will Wroth, Pieter Jan Leusink | B Major | 4 | 1B | 183 BPM |
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