Benedetto Ferrari, Il Complesso Barocco/Alan Curtis's 'Il Sansone (Oratorio in due canti), Canto Primo: Deh bella raffrena (Sansone)' came out on 2000. The duration of Il Sansone (Oratorio in due canti), Canto Primo: Deh bella raffrena (Sansone) is about two minutes long, specifically at 2:03. This song does not appear to have any foul language. Il Sansone (Oratorio in due canti), Canto Primo: Deh bella raffrena (Sansone)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 15 out of 34 in Ferrari - Il Sansome/Solo Songs by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis. The popularity of Il Sansone (Oratorio in due canti), Canto Primo: Deh bella raffrena (Sansone) is currently unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Il Sansone (Oratorio in due canti), Canto Primo: Deh bella raffrena (Sansone) by Benedetto Ferrari, Il Complesso Barocco/Alan Curtis is Vivace (lively and fast), since this song has a tempo of 169 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
D Minor is the music key of this track. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Stabat Mater in F Minor, RV 621: No. 5., Quis non posset contristari | Antonio Vivaldi, Andreas Scholl, Accademia Bizantina, Alessandro Tampieri | E Minor | 1 | 9A | 99 BPM | ||
A Consort for Severall Friends - Suite in A Minor: VI. Jigg - Conclude Thus | Matthew Locke, Dorothee Oberlinger | A Minor | 0 | 8A | 67 BPM | ||
Trattado de glosas: Recercadas primera y quarta sobre tenores: I. | Diego Ortiz, Les Basses Réunies, Bruno Cocset | B Major | 1 | 1B | 97 BPM | ||
A che più l’arc tendere | Stefano Landi, Constantinople, Suzie LeBlanc | D Minor | 2 | 7A | 118 BPM | ||
Manuscrit Panmure: Grande Chaconne in G Major | Marin Marais, Noémie Lenhof, Guillaume Haldenwang, Alice Trocellier, Nicolas Wattinne | D♭ Major | 0 | 3B | 78 BPM | ||
Kuh-Pareh: Staralla ben cussì | Anomymous, Constantinople, Kiya Tabassian, Marco Beasley | G Major | 6 | 9B | 127 BPM | ||
Première suite à 3 violes in D Major: No. 3, Courante | Marin Marais, François Joubert-Caillet, L'Achéron | D♭ Major | 2 | 3B | 111 BPM | ||
Canzonets to Three Voyces: XI. O Fly Not | Thomas Morley, Josh Lee | B Major | 1 | 1B | 105 BPM | ||
2. Notenbüchlein für Anna Magdalena Bach: I. No. 41, Gedenke doch, mein Geist, zurücke, BWV 509 | Johann Sebastian Bach, Aki Matsui, Masaaki Suzuki, Toru Yamamoto | E♭ Minor | 2 | 2A | 74 BPM | ||
Ancor che col partire (Arr. The Dowland Project, Potter) | Cipriano de Rore, The Dowland Project | A Minor | 1 | 8A | 111 BPM |
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