Richie Pitts made "Every Couple's Not A Pair" available on August 24, 2018. With this song being around four minutes long, at 3:32, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 36 in the song's album "The Contempo Story 1973-1977: The Original Home Of Soul". In this album, this song's track order is #2. Every Couple's Not A Pair is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Every Couple's Not A Pair by Richie Pitts having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song has a musical key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ariadne auf Naxos / Prologue: "Ein Augenblick ist wenig" | Richard Strauss, Edita Gruberova, Julia Varady, Gewandhausorchester Leipzig, Kurt Masur | E Major | 1 | 12B | 95 BPM | ||
Carmina Burana / III. Cour d'amours: "Amor volat undique" | Carl Orff, Gundula Janowitz, Orchester der Deutschen Oper Berlin, Eugen Jochum, Schöneberger Sängerknaben | G Major | 0 | 9B | 92 BPM | ||
Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) | Leonard Bernstein, Adolph Green, London Symphony Orchestra | G Major | 2 | 9B | 87 BPM | ||
Pagliacci / Act 1: "I zampognari!" | Ruggero Leoncavallo, Luciano Pavarotti, Finchley Children's Music Group, The London Opera Chorus, National Philharmonic Orchestra, Giuseppe Patanè | C Major | 2 | 8B | 122 BPM | ||
Carmen (1997 - Remaster), Act III: Ecoute, écoute, compagnon, écoute | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 1 | 4A | 111 BPM | ||
Carmen, Act III: Air: Je dis que rien ne m'épouvante (Micaëla) | Georges Bizet, Inva Mula/Orchestre National du Capitole de Toulouse/Michel Plasson, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | G Major | 0 | 9B | 73 BPM | ||
37. We triumph now | Arthur Sullivan, Owen Brannigan, Donald Adams, The D'Oyly Carte Opera Chorus, Royal Philharmonic Orchestra, Isidore Godfrey | B♭ Major | 1 | 6B | 79 BPM | ||
Messa di Requiem: Lux aeterna | Giuseppe Verdi, Angela Gheorghiu, Claudio Abbado, Berliner Philharmoniker | B♭ Major | 1 | 6B | 86 BPM | ||
Orff: Carmina Burana, Pt. 2, In Taberna: Ego sum abbas Cucaniensis | Carl Orff, Michel Plasson, Orfeon Donostiarra, Orchestre National Du Capitole De Toulouse | D Major | 3 | 10B | 100 BPM | ||
Norma / Act 1: Oh! qual traspare orribile | Vincenzo Bellini, Montserrat Caballé, Dame Joan Sutherland, Orchestra of the Welsh National Opera, Richard Bonynge | B♭ Major | 1 | 6B | 134 BPM |
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