Leonard Bernstein, Adolph Green, London Symphony Orchestra's 'Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)' came out on January 1, 1991. The duration of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is about 3 minutes long, at 3:11. Based on our data, "Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 8 out of 34 in Bernstein: Candide by Leonard Bernstein, London Symphony Orchestra. Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
The tempo marking of Candide / Act II: 23. Words, Words, Words (Martin's Laughing Song) by Leonard Bernstein, Adolph Green, London Symphony Orchestra is Andante (at a walking pace), since this song has a tempo of 87 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Symphony No. 8 in B Minor, D. 759 "Unfinished" (Remastered): II. Andante con moto | Franz Schubert, Leonard Bernstein, New York Philharmonic | E Major | 1 | 12B | 85 BPM | ||
Clarinet Concerto In A, K.622: 2. Adagio - Live | Wolfgang Amadeus Mozart, Peter Schmidl, Wiener Philharmoniker, Leonard Bernstein | A Major | 1 | 11B | 124 BPM | ||
March to the Scaffold | Hector Berlioz, Georges Prêtre | B♭ Major | 3 | 6B | 148 BPM | ||
Peter and the Wolf, Op. 67: Moderato - Poco più mosso - Sostenuto - Poco più mosso | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Má vlast, JB 1:112: II. Vlatava (The Moldau) - Remastered | Bedřich Smetana, Leonard Bernstein, New York Philharmonic | G Major | 2 | 9B | 93 BPM | ||
Peter and the Wolf, Op. 67: Andantino | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 2 | 4B | 79 BPM | ||
Mass / X. Credo: 4. Trope: "World Without End" - Et In Spiritum Sanctum - Live | Leonard Bernstein, Morgan James, Nathaniel Stampley, Hilary Ginther, Street Chorus Cast, (Pre-Recorded Tape) | F Minor | 1 | 4A | 138 BPM | ||
Pictures at an Exhibition: IV. Bydlo | Modest Mussorgsky, Leonard Bernstein, New York Philharmonic | A Major | 0 | 11B | 92 BPM | ||
Symphony No.2: 1. Andante moderato | Charles Ives, New York Philharmonic, Leonard Bernstein | D Major | 1 | 10B | 112 BPM | ||
Peter and the Wolf, Op. 67: Poco più andante | Sergei Prokofiev, New York Philharmonic, Leonard Bernstein | A♭ Major | 0 | 4B | 95 BPM |
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