"Turandot: Signore, ascolta" by Giacomo Puccini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg was released on October 20, 1992. The duration of Turandot: Signore, ascolta is about two minutes long, specifically at 2:37. This song does not appear to have any foul language. Turandot: Signore, ascolta's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 10 in Favourite Soprano Arias by Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg. Going off of the ISRC code of this track, we detected that the origin of this track is from Hong Kong. Based on our statistics, Turandot: Signore, ascolta's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Turandot: Signore, ascolta by Giacomo Puccini, Luba Orgonasova, Symfonický orchester Slovenského rozhlasu, Will Humburg is Allegro (fast, quick, and bright), since this song has a tempo of 130 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Major. This also means that this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Intermezzo | Pietro Mascagni, James Levine | F Major | 2 | 7B | 84 BPM | ||
Rinaldo / Act 2: Lascia ch'io pianga | George Frideric Handel, Cecilia Bartoli, Academy of Ancient Music, Christopher Hogwood | E Major | 1 | 12B | 176 BPM | ||
Carmina Burana / 3. Cour d'amours: "In trutina" | Carl Orff, Barbara Bonney, Wiener Philharmoniker, André Previn | B♭ Major | 2 | 6B | 137 BPM | ||
Carmen, Act II: No.12 Chanson Bohème : Les tringles des sistres tintaient avec un éclat métallique (Carmen/Frasquita/Mercédès) | Georges Bizet, Angela Gheorghiu, Michel Plasson, Wolff, Orchestre National Du Capitole De Toulouse | C Major | 2 | 8B | 137 BPM | ||
Lakmé / Act 2: "Où va la jeune Indoue" (Bell song) | Léo Delibes, Aida Garifullina, Vienna Radio Symphony Orchestra, Cornelius Meister | D Minor | 1 | 7A | 168 BPM | ||
Die Zauberflöte, K. 620 / Erster Aufzug: "Dies Bildnis ist bezaubernd schön" | Wolfgang Amadeus Mozart, Fritz Wunderlich, Berliner Philharmoniker, Karl Böhm | E♭ Major | 1 | 5B | 94 BPM | ||
La Bohème / Act 1: "Sì. Mi chiamano Mimì" | Giacomo Puccini, Angela Gheorghiu, Roberto Alagna, Roberto de Candia, Ildebrando D'Arcangelo, Simon Keenlyside, Orchestra Del Teatro Alla Scala, Milano, Riccardo Chailly | D Major | 0 | 10B | 75 BPM | ||
Santa Lucia luntana (Arr. Chiaramello) | Ermes Alessandro Mario, Luciano Pavarotti, Orchestra del Teatro Comunale di Bologna, Giancarlo Chiaramello | E Major | 2 | 12B | 102 BPM | ||
Les pêcheurs de perles, WD 13 / Act I: "C'était le soir" ... "Au fond du temple saint" | Georges Bizet, Rolando Villazón, Ildar Abdrazakov, Orchestre Métropolitain, Yannick Nézet-Séguin | E Major | 0 | 12B | 79 BPM | ||
Casanova: Nuns' Chorus | Johann Strauss II, Dame Joan Sutherland, Ambrosian Light Opera Chorus, New Philharmonia Orchestra, Richard Bonynge | F♯ Major | 2 | 2B | 88 BPM |
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