Johann Sebastian Bach, Freiburger Barockorchester made "Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement" available on November 8, 2011. The duration of Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement is about two minutes long, specifically at 2:04. This song does not appear to have any foul language. Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement's duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 24 in Bach: Orchestral Suites by Johann Sebastian Bach, Freiburger Barockorchester. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Suite No. 2 in B Minor, BWV 1067: Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II alternativement by Johann Sebastian Bach, Freiburger Barockorchester is Andante (at a walking pace), since this song has a tempo of 79 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
From Saul: Sinfonia, HWV 53: IV. Andante larghetto | George Frideric Handel, The English Concert, Trevor Pinnock | A Major | 2 | 11B | 119 BPM | ||
Prelude In C Major, BWV 924 : Praeambulum In C Major, BWV 924 | Janos Sebestyen, Johann Sebastian Bach | C Major | 2 | 8B | 139 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Symphony in D Major, J-C 16: II. Andante sempre piano | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | B♭ Minor | 1 | 3A | 106 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio | George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown | C Major | 2 | 8B | 78 BPM | ||
Concerto For Violin Concertato, Strings And Basso Continuo In A Minor, TWV 51:A1: Allegro | Georg Philipp Telemann, Daniel Hope, Lorenza Borrani, Lucy Gould, Stewart Eaton, William Conway, Enno Senft, Kristian Bezuidenhout, Stefan Maass, Stefan Rath | A Minor | 1 | 8A | 144 BPM | ||
Concerto Grosso In B Flat Major, Op. 6, No. 11: IV. Andante Largo | Arcangelo Corelli, Quido Holbling, Daniela Ruso, Ludovit Kanta, Anna Holbling, Capella Istropolitana | D♭ Major | 1 | 3B | 118 BPM | ||
Sinfonia in D Major, BWV 1045: II. Adagio e piano sempre | Johann Sebastian Bach, Robert Hill, Cologne Chamber Orchestra, Helmut Muller-Bruhl | B Minor | 1 | 10A | 171 BPM | ||
Harpsichord Concerto No. 6 in F Major, BWV 1057: III. Allegro assai | Johann Sebastian Bach, New Bach Collegium Musicum Leipzig, Burkhard Glaetzner, Paul Leenhouts, Karel Van Steenhoven, Christine Schornsheim | A Major | 2 | 11B | 148 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866 | Daniel Barenboim | B♭ Major | 1 | 6B | 163 BPM |
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