Daniel Barenboim made "Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866" available on 2004. With Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866 being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 42 out of 96 in Bach, JS : Well-Tempered Clavier Books 1 & 2 by Daniel Barenboim. The popularity of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866 is currently not that popular right now. The mood doesn't appear to be that danceable, but it still produces a high amount of positive energy.
The tempo marking of Bach, JS : Well-Tempered Clavier Book 1 : Fugue No.21 in B flat major BWV866 by Daniel Barenboim is Vivace (lively and fast), since this song has a tempo of 163 BPM. With that information, we can conclude that the song has a fast tempo. The time signature for this track is 4/4.
B♭ Major is the music key of this track. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.17 in A flat major BWV862 | Daniel Barenboim | A♭ Major | 1 | 4B | 97 BPM | ||
Sonata in E Minor (Allegrissimo), Kk. 98 | Domenico Scarlatti, Ivo Pogorelich | E Minor | 0 | 9A | 84 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: I. No Tempo Indication | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | D Major | 3 | 10B | 108 BPM | ||
Kinderszenen, Op. 15: No. 2, Kuriose Geschichte | Robert Schumann, Vladimir Horowitz | D Major | 1 | 10B | 132 BPM | ||
Suite in G minor: IV. Bourree II (Arr. A. Camden) | George Frideric Handel, Anthony Camden, Julia Girdwood, City of London Sinfonia, Nicholas Ward | C Minor | 1 | 5A | 114 BPM | ||
Les Rozeaux (13e ordre) | François Couperin, Alexandre Tharaud | B Minor | 1 | 10A | 67 BPM | ||
Concerto Grosso in D Major, Op. 1, No. 5: III. Largo | Pietro Locatelli, Capella Istropolitana | G Minor | 1 | 6A | 50 BPM | ||
Kinderszenen, Op.15: 10. Fast zu ernst | Robert Schumann, Martha Argerich | A♭ Minor | 0 | 1A | 67 BPM | ||
L'Apprenti sorcier | Paul Dukas, Orchestre de Paris, Daniel Barenboim | F Minor | 3 | 4A | 133 BPM | ||
Suite en La: Quatrième double | Jean-Philippe Rameau, Alexandre Tharaud | C Major | 2 | 8B | 115 BPM |
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