François Couperin, Alexandre Tharaud's 'Les Rozeaux (13e ordre)' came out on November 6, 2007. The duration of Les Rozeaux (13e ordre) is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Les Rozeaux (13e ordre)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 9 out of 20 in Couperin: Tic Toc Choc by François Couperin, Alexandre Tharaud. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Les Rozeaux (13e ordre) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Les Rozeaux (13e ordre) by François Couperin, Alexandre Tharaud is Adagio (slowly with great expression), since this song has a tempo of 67 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Ravel: Cadence for the Video by Yoann Bourgeois (On Adagio from Ravel's Concerto in G, M. 83) | Maurice Ravel, Alexandre Tharaud | E Major | 1 | 12B | 70 BPM | ||
Andante in F Major, Wq. 116/24, H. 250 | Carl Philipp Emanuel Bach, Ana-Marija Markovina | F Major | 0 | 7B | 118 BPM | ||
Sonata in C Major, Kk.132 | Domenico Scarlatti, Alexandre Tharaud | C Major | 0 | 8B | 62 BPM | ||
5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude | Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble | G Minor | 2 | 6A | 98 BPM | ||
Suite en La: Deuxième double | Jean-Philippe Rameau, Alexandre Tharaud | A Minor | 1 | 8A | 77 BPM | ||
Fantasia And Fugue In C Minor (Extracts), Bwv 906: Fantasia In C Minor, BWV 906 | Janos Sebestyen, Johann Sebastian Bach | C Minor | 3 | 5A | 107 BPM | ||
Bach, JS : Well-Tempered Clavier Book 1 : Prelude No.3 in C sharp major BWV848 | Daniel Barenboim | D♭ Major | 1 | 3B | 84 BPM | ||
Piano Sonata in D, H.XVI No.42: 1. Andante con espressione | Franz Joseph Haydn, Alfred Brendel | D Major | 1 | 10B | 111 BPM | ||
Concerto pour la fin d'un amour - Final (From "Un homme qui me plaît") | Francis Lai, Alexandre Tharaud, Antonio Pappano, Orchestra dell'Accademia Nazionale di Santa Cecilia | A Minor | 0 | 8A | 66 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: I. - Allegro | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 4 | 5A | 106 BPM |
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