"5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude" by Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble was released on July 5, 2011. The duration of 5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude is about two minutes long, specifically at 2:00. This song does not appear to have any foul language. 5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 14 in the song's album "The Known Unknowns". In this album, this song's track order is #10. In terms of popularity, 5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude is currently unknown. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 5 Pieces en concert (arr. P. Bazelaire for cello and strings): No. 1. Prelude by Paul Bazelaire, François Couperin, Lynn Harrell, Angeli Ensemble having a BPM of 98 with a half-time of 49 BPM and a double-time of 196 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.
This song has a musical key of G Minor. Which also means that the camelot key for this song is 6A. So, the perfect camelot match for 6A would be either 6A or 5B. While, a low energy boost can consist of either 6B or 7A. For moderate energy boost, you would use 3A and a high energy boost can either be 8A or 1A. However, if you are looking for a low energy drop, finding a song with a camelot key of 5A would be a great choice. Where 9A would give you a moderate drop, and 4A or 11A would be a high energy drop. Lastly, 9B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Keyboard Sonata in G Major, Op. 17, No. 4, W. A10: I. Allegro | Johann Christian Bach, Alberto Nosè | G Major | 1 | 9B | 124 BPM | ||
Oboe Concerto in C Major, Op. 7 No. 12: II. Adagio | Tomaso Albinoni, Kostroma Chamber Orchestra, Oleg Yakubovich, Pavel Gerstein | A Minor | 1 | 8A | 86 BPM | ||
Hollensteiner Jodler - 2009 | Salzburger Adventsingen, Salzburger Geigenmusik | C Major | 0 | 8B | 125 BPM | ||
Sonata in A Major, No. 6: III. Allegro | Arcangelo Corelli, Dénes Kovács, Ede Banda, Janos Sebestyen | A Major | 2 | 11B | 127 BPM | ||
Concerto for 2 Oboes, Strings and String Orchestra in C Major, Op. 7 No. 2: II. Adagio | Tomaso Albinoni, I Solisti Di Perugia, Claudio Brizi, Thomas Indermühle, Jacques Tys, Rino Vernizzi, Frederico del Sordo | C Major | 2 | 8B | 153 BPM | ||
Molter: Concerto for 2 Trumpets in D Major, MWV 6.31: II. Andante | Johann Melchior Molter, Jean-François Paillard, Orchestre de chambre Jean-François Paillard | D Minor | 1 | 7A | 128 BPM | ||
Concerto Grosso in D Minor, Op. 3, No. 4: III. Largo | Francesco Geminiani, Capella Istropolitana, Jaroslav Krcek | D Minor | 3 | 7A | 105 BPM | ||
Konzert D-moll Für Oboe, Streicher Und Continuo, BWV 1059: Largo | Thomas Indermühle | F Major | 1 | 7B | 141 BPM | ||
協奏曲集《四季》 作品8 第3番 ヘ長調 RV293 《秋》: 第3楽章 アレグロ - ライヴ・アット・ミューザ川崎シンフォニーホール/2022年8月19日 | Antonio Vivaldi, 石田泰尚, 石田組 | C Major | 1 | 8B | 141 BPM | ||
シチリアーノ | Leó Weiner, George Frideric Handel, ヤーノシュ・シュタルケル, Shigeo Neriki | E Minor | 0 | 9A | 92 BPM |
Section: 0.5792093276977539
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