George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown's 'Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio' came out on January 1, 1988. With Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio being less than two minutes long, at 1:58, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 18 out of 22. On top of that, Germany appears to be the country where this track was created. Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in D Minor, Op. 3, No. 5, HWV 316: III. Adagio by George Frideric Handel, Academy of St. Martin in the Fields, Iona Brown to be Andante (at a walking pace) because the track has a tempo of 78 BPM, a half-time of 39BPM, and a double-time of 156 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in D Minor, Op. 9, No. 2: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | D Minor | 3 | 7A | 101 BPM | ||
Sammartini: Recorder Concerto in F Major: II. — | Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro | George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields | D Major | 0 | 10B | 170 BPM | ||
Oboe Concerto in C Major, Op. 9, No. 5: II. Adagio (non troppo) | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | A Minor | 1 | 8A | 79 BPM | ||
Organ Concerto In G Minor, Op. 4, No. 3: III. Adagio | George Frideric Handel, Slovakisches Kammerorchester, Bohdan Warchal, Jozef Kopelman, Ivan Sokol, Alexander Juraj | C Minor | 1 | 5A | 49 BPM | ||
Water Music, Suite No. 1, HWV 348: Water Music, Suite No. 1, HWV 348: X. [Allegro moderato] | George Frideric Handel, Akademie für Alte Musik Berlin | D♭ Minor | 1 | 12A | 77 BPM | ||
Schubert: Rosamunde, Op. 26, D. 797: Entr'acte III | Franz Schubert, Sir Neville Marriner, Academy of St. Martin in the Fields | F Major | 0 | 7B | 121 BPM | ||
Symphony in D Major, Op. 2 No. 5 "St. Cecilia's Day Ode": II. Tempo di gavotta | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 101 BPM | ||
Concerto for 2 Oboes in C Major, RV 534: III. Allegro | Antonio Vivaldi, Stefan Schilli, Geoffrey Thomas, Judit Kiss-Domonkos, Budapest Failoni Chamber Orchestra, Béla Nagy | C Major | 2 | 8B | 125 BPM | ||
Concerto in D Major for Two Oboes and Strings, Op. 7 No. 8: I. No Tempo Indication | Tomaso Albinoni, Stefan Schilli, Giovanni Deangeli, Stuttgart Chamber Orchestra, Nicol Matt | D Major | 3 | 10B | 108 BPM |
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