On April 6, 2024, the song "Sammartini: Recorder Concerto in F Major: II. —" was released by Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields. With this song being about 5 minutes long, at 4:56, "Sammartini: Recorder Concerto in F Major: II. —" by Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Telemann: Suite in A Minor - Sammartini & Handel: Recorder Concertos". In this album, this song's track order is #9. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Sammartini: Recorder Concerto in F Major: II. — is currently unknown. The overall mood can be danceable to some, especially with it's high amount of postive energy.
With Sammartini: Recorder Concerto in F Major: II. — by Giuseppe Sammartini, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields having a BPM of 105 with a half-time of 52 BPM and a double-time of 210 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
26 Sonatas: No. 9, Violin Sonata in A Major, B.A1 / GT 2.A01: II. Allegro | Giuseppe Tartini, La Serenissima, Adrian Chandler | G Minor | 1 | 6A | 113 BPM | ||
Concerto grosso No. 6 in D Major: II. Con furia (After D. Scarlatti's Kk. 29) [1] | Charles Avison, Akademie für Alte Musik Berlin, Georg Kallweit | D♭ Major | 1 | 3B | 139 BPM | ||
Oboe d'amore Concerto in D Major: IV. Allegro non troppo | Christoph Graupner, Lajos Lencsés, Budapest Strings, Karoly Botvay | D Major | 1 | 10B | 118 BPM | ||
The Four Seasons, Violin Concerto in F Major, Op. 8 No. 3, RV 293 "Autumn": II. Adagio molto | Antonio Vivaldi, Anima Musicæ Chamber Orchestra | F Minor | 1 | 4A | 171 BPM | ||
Sinfonia No. 12 in la minore (La passione di Gesù Signor nostro): III. Allegretto | Accademia Farnese, Claudio Ferrarini | A Minor | 1 | 8A | 96 BPM | ||
Telemann: Ouverture-Suite for Recorder and Strings in A Minor, TWV 55:a2: VI. Passepieds I & II | Georg Philipp Telemann, Sir Neville Marriner, David Munrow, Academy of St. Martin in the Fields | B♭ Major | 3 | 6B | 105 BPM | ||
King Arthur, Z. 628, "The British Worthy": Act V: Chaconne | Henry Purcell, Academy of St. Martin in the Fields, Sir Neville Marriner | F Major | 0 | 7B | 116 BPM | ||
Télémaque & Calypso, Prologue: Ouverture (I) | Andre Cardinal Destouches, Les Ombres, Sylvain Sartre, Margaux Blanchard | D Minor | 2 | 7A | 104 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): III. Sarabanda | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | D Minor | 0 | 7A | 98 BPM | ||
Airs for the Autumn: Night Shade: I. Aria: Pastorale vivace | James Oswald, The Broadside Band | D♭ Major | 2 | 3B | 135 BPM |
Section: 0.7785117626190186
End: 0.789832592010498