"Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro" by George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields was released on January 1, 1988. The duration of Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro is about two minutes long, specifically at 2:58. This song does not appear to have any foul language. Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in George Frideric Handel, Iona Brown's "Handel: Concerto Grosso, Op. 3" album is number 9 out of 22. On top of that, Germany appears to be the country where this track was created. The popularity of Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro is currently not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Concerto Grosso in G Major, Op. 3, No. 3, HWV 314: I. Largo e staccato - Allegro by George Frideric Handel, Iona Brown, Philippa Davies, Academy of St. Martin in the Fields to be Vivace (lively and fast) because the track has a tempo of 170 BPM, a half-time of 85BPM, and a double-time of 340 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 3/4.
This song is in the music key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Les Indes Galantes / Prologue: 3. Air pour les esclaves africains | Jean-Philippe Rameau, Orchestra Of The 18th Century, Frans Brüggen | F Minor | 2 | 4A | 95 BPM | ||
Concerto for 3 Trumpets, 2 Oboes, Timpani, Strings and Continuo in D: 1. Intrada | Georg Philipp Telemann, Håkan Hardenberger, Michael Laird, William Houghton, Celia Nicklin, Tess Miller, Graham Sheen, John Constable, Academy of St. Martin in the Fields, Iona Brown | A Major | 2 | 11B | 109 BPM | ||
Concerto Grosso in G Minor, Op. 1, No. 12: I. Largo | Pietro Locatelli, Capella Istropolitana, Jaroslav Krcek | F Major | 3 | 7B | 128 BPM | ||
Concerto for 2 Flutes in C Major, RV 533: I. Allegro molto | Antonio Vivaldi, Deborah Davis, Duke Dobing, City of London Sinfonia, Nicholas Kraemer | D Major | 3 | 10B | 123 BPM | ||
Flute Concerto No. 1 in G Major: III. Allegro spiritoso | Giovanni Battista Pergolesi, Jean-Pierre Rampal, Stuttgart Chamber Orchestra, Karl Münchinger | G Major | 2 | 9B | 117 BPM | ||
Symphony No. 7 in B-Flat Major, Op. 2, "Pythian Ode": III. Jigg (Allegro assai) | William Boyce, Aradia Ensemble, Kevin Mallon | A Major | 1 | 11B | 122 BPM | ||
Concerto No.1 for Trumpet, 2 Oboes, Strings and Continuo in D: 2. Grave | Georg Philipp Telemann, Håkan Hardenberger, Celia Nicklin, Tess Miller, John Constable, Academy of St. Martin in the Fields, Iona Brown | B Minor | 1 | 10A | 79 BPM | ||
Oboe Concerto in A Major (arr. J. Barbirolli): V. Giga | Arcangelo Corelli, Anthony Camden, City of London Sinfonia, Nicholas Ward | F Major | 0 | 7B | 104 BPM | ||
Symphony in B-Flat Major, Op. 2 No. 7 "Pythian Ode": I. Andante - Spirituoso | William Boyce, Academy of St. Martin in the Fields, Sir Neville Marriner | B♭ Major | 3 | 6B | 64 BPM | ||
Suite From Abdelzar: III. Minuet | Henry Purcell, Tafelmusik Baroque Orchestra, Jeanne Lamon | F♯ Major | 2 | 2B | 87 BPM |
Section: 0.5651247501373291
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