Philippe Jaroussky, Ensemble Artaserse's 'Ave Regina coelorum (Harmonia sacra, dedota dal concerto di salmi, motetti, inni e antifone a voce sola. Con violini. 1765, A. Gardano, Venezia)' came out on March 20, 2006. The duration of Ave Regina coelorum (Harmonia sacra, dedota dal concerto di salmi, motetti, inni e antifone a voce sola. Con violini. 1765, A. Gardano, Venezia) is about two minutes long, specifically at 2:57. This song does not appear to have any foul language. Ave Regina coelorum (Harmonia sacra, dedota dal concerto di salmi, motetti, inni e antifone a voce sola. Con violini. 1765, A. Gardano, Venezia)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 14 in Beata Vergine by Philippe Jaroussky, Ensemble Artaserse. Ave Regina coelorum (Harmonia sacra, dedota dal concerto di salmi, motetti, inni e antifone a voce sola. Con violini. 1765, A. Gardano, Venezia) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Ave Regina coelorum (Harmonia sacra, dedota dal concerto di salmi, motetti, inni e antifone a voce sola. Con violini. 1765, A. Gardano, Venezia) by Philippe Jaroussky, Ensemble Artaserse is Andante (at a walking pace), since this song has a tempo of 86 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of D Major. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bach, JC: Carattaco, T. 221: "Fra l'orrore di tanto spavento" | Johann Christian Bach, Philippe Jaroussky, Jérémie Rhorer, Le Cercle De L'Harmonie | B♭ Major | 1 | 6B | 136 BPM | ||
I fratelli riconosciuti: Ciel nemico - Attalo | Giovanni Maria Capelli, Philippe Jaroussky, Emmanuelle Haïm, Le Concert d'Astrée | B Major | 0 | 1B | 103 BPM | ||
Mass, Op. 12: V. Panis Angelicus | César Franck, Christian-Pierre La Marca, Philippe Jaroussky, Thierry Escaich | F Major | 1 | 7B | 137 BPM | ||
Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" | Simone Kermes | F Minor | 1 | 4A | 72 BPM | ||
Bach, JS: Cantata No. 170, "Vergnügte Ruh, beliebte Seelenlust", BWV 170: II. "Die Welt, das Sündenhaus" | Johann Sebastian Bach, Philippe Jaroussky, Petra Mullejans, Freiburger Barockorchester | E Minor | 1 | 9A | 95 BPM | ||
Spesso vibra per suo gioco | Alessandro Scarlatti, Cecilia Bartoli, György Fischer | G Major | 1 | 9B | 135 BPM | ||
De Bottis: Mitilene, regina delle amazzoni: "Io piango" - "Io peno" (Mitilene, Armidoro) | Giuseppe De Bottis, Lea Desandre, Cecilia Bartoli, Jupiter, Thomas Dunford | B Minor | 2 | 10A | 103 BPM | ||
Ciaccona in A Major | Johann Heinrich Schmelzer, Hélène Schmitt, Jan Krigovsky, Stephan Rath, Jörg-Andreas Bötticher | A♭ Major | 1 | 4B | 135 BPM | ||
Les Indes galantes, RCT 44, Act III: Forêts paisibles | Jean-Philippe Rameau, Chantal Santon Jeffery, Jean-Sébastien Bou, Orfeo Orchestra, Purcell Choir, Gyorgy Vashegyi | F♯ Minor | 3 | 11A | 112 BPM | ||
Madrigali amorosi: No. 9, Canzonetta by Rinuccini, Lamento della Ninfa (extrait) | Claudio Monteverdi, Concerto Italiano, Rinaldo Alessandrini | A Minor | 0 | 8A | 129 BPM |
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