"Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti"" by Simone Kermes was released on March 13, 2009. Since Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Simone Kermes's "Händel: Arias for Cuzzoni (La Diva)" album is number 4 out of 14. On top of that, Germany appears to be the country where this track was created. Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Giulio Cesare, HWV 17: Act II - "Se pietà di me non senti" by Simone Kermes to be Adagio (slowly with great expression) because the track has a tempo of 72 BPM, a half-time of 36BPM, and a double-time of 144 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of F Minor. Because this track belongs in the F Minor key, the camelot key is 4A. So, the perfect camelot match for 4A would be either 4A or 3B. While, a low energy boost can consist of either 4B or 5A. For moderate energy boost, you would use 1A and a high energy boost can either be 6A or 11A. However, if you are looking for a low energy drop, finding a song with a camelot key of 3A would be a great choice. Where 7A would give you a moderate drop, and 2A or 9A would be a high energy drop. Lastly, 7B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Folle è ben che si crede | Tarquinio Merula, Simone Kermes, Enrico Casazza, La Magnifica Comunità | C Major | 0 | 8B | 93 BPM | ||
Fields of Gold | Gordon Matthew Thomas Sumner, Simone Kermes, Amici Veneziani | E Major | 1 | 12B | 68 BPM | ||
L'Eraclea: Dopo i nembi e le procelle | Tomaso Albinoni, Simone Kermes, Amici Veneziani | D Minor | 1 | 7A | 137 BPM | ||
Purcell : King Arthur : Act 4 "How happy the lover" [Tenor, Chorus] Ritornello "For love every creature" [Soprano, Bass, Chorus] "In vain are our graces" [Chorus] | William Christie | F Minor | 0 | 4A | 104 BPM | ||
Great Mass in C Minor, K. 427: I. Andante Moderato (Kyrie) | Wolfgang Amadeus Mozart, Accentus, La Chambre Philharmonique, Emmanuel Krivine | F Major | 1 | 7B | 131 BPM | ||
In furore, R.626: 1. In furore iustissimae (Allegro) | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | C Minor | 3 | 5A | 134 BPM | ||
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Stabat Mater, Op.58, B.71: 3. "Eia mater, fons amoris" | Antonín Dvořák, Prague Philharmonic Choir, Czech Philharmonic Orchestra, Jiří Bělohlávek | C Minor | 1 | 5A | 131 BPM | ||
Requiem, Op.48: 4. Pie Jesu (I) | Gabriel Fauré, Catherine Bott, Orchestre Révolutionnaire et Romantique, John Eliot Gardiner | B♭ Major | 0 | 6B | 72 BPM | ||
L'Olimpiade: Consola il genitore - From "L'Olimpiade" | Johann Adolf Hasse, Simone Kermes | C Major | 0 | 8B | 87 BPM |
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