"Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta"" by Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro was released on October 26, 2018. Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" is about six minutes long, preciously at 5:30, making this song fairly long compared to other songs. The song is number 22 out of 23 in Anima Sacra by Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro. Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" by Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro is Andante (at a walking pace), since this song has a tempo of 89 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Because this track belongs in the A♭ Minor key, the camelot key is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Artasere, Act III Scene 1: Aria "Son qual nave ch'agitata" (Arbace) | Riccardo Broschi, Ann Hallenberg, Les Talens Lyriques, Christophe Rousset | G Minor | 0 | 6A | 172 BPM | ||
Bononcini: La Nemica d'Amore fatta amante, Pt. 1: Sinfonia | Giovanni Bononcini, Maxim Emelyanychev, Il Pomo D'oro | F♯ Minor | 2 | 11A | 138 BPM | ||
Heinichen: Alma Redemptoris Mater, S. 22: I. "Alma Redemptoris Mater" | Johann David Heinichen, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | E Major | 1 | 12B | 130 BPM | ||
Zelenka: Barbara, dira effera, ZWV 164: III. Alleluja | Jan Dismas Zelenka, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | B Major | 6 | 1B | 115 BPM | ||
Stabat Mater, G. 532 (1781 Version): I. Stabat Mater Dolorosa | Luigi Boccherini, Dominique Labelle, Sarasa Ensemble | E Major | 0 | 12B | 89 BPM | ||
De Almeida: La Giuditta: "Giusto Dio" | Francisco António de Almeida, Jakub Józef Orliński, Francesco Corti, Il Pomo D'oro | D Major | 1 | 10B | 124 BPM | ||
Baird: 4 Love Sonnets: No. 1, Spójrz co tu ciche serce wypisało | Tadeusz Baird, Jakub Józef Orliński, Michał Biel | D♭ Minor | 3 | 12A | 71 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30: Danza degli spettri e delle furie | Christoph Willibald Gluck, Maxim Emelyanychev | D Minor | 4 | 7A | 152 BPM | ||
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Salve Regina in C minor (1736): 4. Et Jesum | Giovanni Battista Pergolesi, Emma Kirkby, Academy of Ancient Music, Christopher Hogwood | A Major | 1 | 11B | 95 BPM |
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