Tomaso Albinoni, Simone Kermes, Amici Veneziani made "L'Eraclea: Dopo i nembi e le procelle" available on February 7, 2020. With this song being about 5 minutes long, at 5:04, "L'Eraclea: Dopo i nembi e le procelle" by Tomaso Albinoni, Simone Kermes, Amici Veneziani is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Simone Kermes's "Inferno e Paradiso" album is number 5 out of 14. On top of that, United States appears to be the country where this track was created. Based on our statistics, L'Eraclea: Dopo i nembi e le procelle's popularity is below average in popularity right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
We consider the tempo marking of L'Eraclea: Dopo i nembi e le procelle by Tomaso Albinoni, Simone Kermes, Amici Veneziani to be Allegro (fast, quick, and bright) because the track has a tempo of 137 BPM, a half-time of 68BPM, and a double-time of 274 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song has a musical key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Concerti a cinque Op. 9 for oboe and strings (2001 Digital Remaster), Concerto No. 2 in D minor: II. Adagio | Tomaso Albinoni, Han De Vries, Alma Musica Amsterdam, Bob van Asperen, Wouter Möller | A Major | 0 | 11B | 89 BPM | ||
Monteverdi: Madrigali, Libro VIII "Guerrieri et amorosi": No. 18, Lamento della ninfa, SV 163: "Amor, dicea" | Claudio Monteverdi, Christina Pluhar, Núria Rial, Jan Van Elsacker, Cyril Auvity, Nicolas Achten, L'Arpeggiata | A Minor | 1 | 8A | 136 BPM | ||
Stabat Mater: 4. Quae moerabat | Giovanni Battista Pergolesi, Lucia Valentini Terrani, London Symphony Orchestra, Claudio Abbado, Leslie Pearson | E♭ Major | 1 | 5B | 75 BPM | ||
Stabat Mater: Stabat Mater Dolorosa | Agostino Steffani, Cecilia Bartoli, I Barocchisti, Diego Fasolis | B Major | 0 | 1B | 64 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Albinoni: Oboe Concerto in D Minor, Op. 9 No. 2: II. Adagio | Tomaso Albinoni, Pierre Pierlot, Claudio Scimone, I Solisti Veneti | B♭ Major | 2 | 6B | 72 BPM | ||
Now, O Now I Needs Must Part | John Dowland, Simone Kermes, Enrico Casazza | G Major | 1 | 9B | 83 BPM | ||
Nulla in mundo pax, RV 630: 1. Nulla in mundo pax sincera | Antonio Vivaldi, Simone Kermes, Venice Baroque Orchestra, Andrea Marcon | E Major | 1 | 12B | 69 BPM | ||
Concerto Grosso in D Minor, H. 143 "La Folia" (after Corelli Violin Sonata, Op. 5 No. 12): Theme & Var. I - VII | Francesco Geminiani, Nicola Benedetti, Benedetti Baroque Orchestra | D♭ Minor | 3 | 12A | 147 BPM | ||
Orfeo ed Euridice: Act II, Scene 2, Ballo. Andante | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester | C Major | 0 | 8B | 74 BPM |
Section: 0.6165242195129395
End: 0.6204268932342529