Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "Fear no danger to ensue" (Belinda, Second Woman, Chorus) - Dance this Chorus, the Baske" available on 2003. The duration of Purcell: Dido and Aeneas, Z. 626, Act 1: "Fear no danger to ensue" (Belinda, Second Woman, Chorus) - Dance this Chorus, the Baske is about two minutes long, specifically at 2:14. This song does not appear to have any foul language. Purcell: Dido and Aeneas, Z. 626, Act 1: "Fear no danger to ensue" (Belinda, Second Woman, Chorus) - Dance this Chorus, the Baske's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #8. In terms of popularity, Purcell: Dido and Aeneas, Z. 626, Act 1: "Fear no danger to ensue" (Belinda, Second Woman, Chorus) - Dance this Chorus, the Baske is currently not that popular. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "Fear no danger to ensue" (Belinda, Second Woman, Chorus) - Dance this Chorus, the Baske by Henry Purcell, Emmanuelle Haïm having a BPM of 103 with a half-time of 52 BPM and a double-time of 206 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
This song is in the music key of B Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 1B. So, the perfect camelot match for 1B would be either 1B or 2A. While, 2B can give you a low energy boost. For moderate energy boost, you would use 10B and a high energy boost can either be 3B or 8B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 1A or 12B will give you a low energy drop, 4B would be a moderate one, and 11B or 6B would be a high energy drop. Lastly, 10A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Matthäus-Passion, BWV 244, Erster Teil: 8. Aria (Sopran) "Blute nur, du liebes Herz" | Johann Sebastian Bach, Collegium Vocale Gent, Philippe Herreweghe, Sibylla Rubens | B♭ Minor | 0 | 3A | 139 BPM | ||
Dido and Aeneas / Act 3: The sailor's Dance..."See the flags...Destruction'sour delight" - The Witches' Dance | Henry Purcell, Patricia Kern, Helen Walker, Della Jones, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | B♭ Major | 1 | 6B | 101 BPM | ||
Remember Not, Lord, Our Offences, Z. 50 | Henry Purcell, Westminster Kantorei, Thomas Fields, Kerry Heimann, Amanda Quist | A Minor | 1 | 8A | 133 BPM | ||
Quel Sguardo Sdegnosetto (Scherzi Musicali), 1632 | Jordi Savall, Montserrat Figueras, Claudio Monteverdi | G Major | 1 | 9B | 87 BPM | ||
Pergolesi: Stabat mater: VIII. Fac ut ardeat cor meum | Giovanni Battista Pergolesi, Philippe Jaroussky, Diego Fasolis, I Barocchisti | F♯ Minor | 3 | 11A | 71 BPM | ||
Purcell: Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido) | Henry Purcell, Emmanuelle Haïm | B Minor | 1 | 10A | 171 BPM | ||
Concerto con 2 violini e viola da gamba, Archi e continuo (Sol Minore, RV 578): II. Larghetto | Antonio Vivaldi, Manfredo Kraemer, Pablo Valetti, Luca Guglielmi, Jordi Savall, Le Concert Des Nations | F♯ Major | 4 | 2B | 115 BPM | ||
Mass in B Minor, BWV 232: Et in unum Dominum (Soprano, Alto) | Johann Sebastian Bach, Hannah Morrison, Meg Bragle, English Baroque Soloists, John Eliot Gardiner | F♯ Major | 1 | 2B | 78 BPM | ||
Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus] | William Christie | F Major | 0 | 7B | 100 BPM | ||
Sarro: Messa a 5 voci: "Laudamus te" | Domenico Sarro, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 2 | 1A | 113 BPM |
Section: 0.56687331199646
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