William Christie's 'Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus]' came out on 1995. With this song being about 5 minutes long, at 5:18, "Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus]" by William Christie is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 41 in the song's album "Purcell : King Arthur". In this album, this song's track order is #12. In terms of popularity, Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Purcell : King Arthur : Act 2 "How blest are shepherds" [Tenor, Chorus] by William Christie having a BPM of 100 with a half-time of 50 BPM and a double-time of 200 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
The music key of this track is F Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Handel: Serse, HWV 40, Act 1 Scene 5: No. 8, Aria, "Meglio in voi col mio partire" (Arsamene) | George Frideric Handel, William Christie | F♯ Major | 1 | 2B | 82 BPM | ||
Les Indes galantes, Troisième Entrée, Scène 7: "Tendre Amour" (Quatuor) | Jean-Philippe Rameau, Sandrine Piau, Jean-Paul Fouchécourt, Noemi Rime, Jérôme Corréas, Les Arts Florissants, William Christie | D♭ Major | 1 | 3B | 82 BPM | ||
Ode for St. Cecilia's Day, HWV 76: Air: But oh! what art can teach | George Frideric Handel, Dorothee Mields, Mark Wilde, Alsfelder Vocal Ensemble, Concerto Polacco, Wolfgang Helbich | A♭ Minor | 0 | 1A | 96 BPM | ||
Te Deum, H. 146: Te Deum, H. 146: IX. Fiat misericordia tua Domine | Marc-Antoine Charpentier, Véronique Gens, Noemi Rime, Les Arts Florissants, Bernard Deletré, William Christie | D♭ Major | 0 | 3B | 106 BPM | ||
Handel: Serse, HWV 40, Act 3, Scene 5: Aria. "Del ciel d'amore" (Ariodate) | George Frideric Handel, William Christie, Giovanni Furlanetto, Les Arts Florissants | B Minor | 2 | 10A | 99 BPM | ||
Les Indes galantes, Première Entrée, Scène 6: Tambourins I & II. "Partez" (Emilie & Chœur) | Jean-Philippe Rameau, Miriam Ruggeri, Les Arts Florissants, William Christie | F♯ Major | 2 | 2B | 126 BPM | ||
Couperin, F: Première leçon de ténèbres pour le Mercredi saint: IV. Ghimel | François Couperin, William Christie, Sophie Daneman, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Dido and Aeneas / Act 2: "Stay, Prince...Jove's commands shall be obey'd" | Henry Purcell, Derek Lee Ragin, Thomas Allen, English Chamber Orchestra, Raymond Leppard | A Minor | 0 | 8A | 79 BPM | ||
Handel: Serse, HWV 40, Act 1, Scene 14: Recitativo. "Al fin sarete sposa" (Atalanta, Romilda) | George Frideric Handel, William Christie, Elizabeth Norberg-Schulz, Sandrine Piau, Les Arts Florissants | E♭ Major | 1 | 5B | 117 BPM | ||
Dido and Aeneas, Z. 626: Act I: Belinda, 2nd Woman and Chorus: Fear no danger to ensue | Henry Purcell, Kym Amps, David van Asch, Anna Crookes, The Scholars Baroque Ensemble | B Major | 1 | 1B | 138 BPM |
Section: 0.951941967010498
End: 0.9561135768890381