Henry Purcell, Emmanuelle Haïm made "Purcell: Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido)" available on 2003. With Purcell: Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. There are a total of 36 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #5. The popularity of Purcell: Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido) is currently not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Purcell: Dido and Aeneas, Z. 626, Act 1: "Grief increasing by concealing" (Belinda, Dido) by Henry Purcell, Emmanuelle Haïm having a BPM of 171 with a half-time of 86 BPM and a double-time of 342 BPM, we would consider this track to have a Vivace (lively and fast) tempo marking. Because of this, we believe that the song has an overall fast tempo. The time signature for this track is 1/4.
This song is in the music key of B Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Schiassi: Maria Vergine al Calvario: "L'agnelletta timidetta" | Gaetano Maria Schiassi, Jakub Józef Orliński, Maxim Emelyanychev, Il Pomo D'oro | A♭ Minor | 1 | 1A | 89 BPM | ||
Purcell : King Arthur : Act 1 "The white horse neigh'd aloud" [Bass, Tenor, Chorus] | William Christie | E♭ Major | 2 | 5B | 97 BPM | ||
Miserere in C Minor Psalm 50, ZWV. 57 | Jan Dismas Zelenka, Il Fondamento, Il Fondamento Choir, Paul Dombrecht | B Major | 1 | 1B | 64 BPM | ||
Gloria in D, R.589: 9. Qui tollis peccata mundi | Antonio Vivaldi, Simon Preston, Christ Church Cathedral Choir, Oxford, Academy of Ancient Music | E♭ Minor | 1 | 2A | 134 BPM | ||
Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia) | Philippe Jaroussky, Ensemble Artaserse | F Major | 2 | 7B | 124 BPM | ||
La morte d'Abel: Questi al cor finora ignoti | Antonio Caldara, Cecilia Bartoli, Il Giardino Armonico, Giovanni Antonini | A Minor | 1 | 8A | 95 BPM | ||
Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance | Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard | C Major | 1 | 8B | 128 BPM | ||
Vivaldi: Ottone in Villa, RV 729: "Frema pur, si lagni Roma" (Ottone) | Antonio Vivaldi, Philippe Jaroussky, Ensemble Matheus, Jean-Christophe Spinosi | F♯ Major | 1 | 2B | 121 BPM | ||
Te Deum and Jubilate in D Major, Z232: Morning Service in D Major, Z. 232: Te Deum | Henry Purcell, Jeni Bern, Susan Bisatt, Thomas Guthrie, Ian Honeyman, William Purefoy, Christopher Robson, Choir of the Golden Age, Orchestra of the Golden Age, Robert Glenton | D♭ Major | 0 | 3B | 113 BPM | ||
Stabat Mater RV 621: V. Quis non posset | Antonio Vivaldi, Ensemble Matheus, Jean-Christophe Spinosi, Marie-Nicole Lemieux | C Minor | 1 | 5A | 71 BPM |
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