Philippe Jaroussky, Ensemble Artaserse made "Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia)" available on March 20, 2006. The duration of Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia) is about 3 minutes long, at 3:04. Based on our data, "Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 4 out of 14 in Beata Vergine by Philippe Jaroussky, Ensemble Artaserse. Based on our statistics, Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia)'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Regina coeli laetare (Motetti a voce sola, 1643, Magni, Venezia) by Philippe Jaroussky, Ensemble Artaserse is Allegro (fast, quick, and bright), since this song has a tempo of 124 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
This song has a musical key of F Major. This also means that this song has a camelot key of 7B. So, the perfect camelot match for 7B would be either 7B or 8A. While, 8B can give you a low energy boost. For moderate energy boost, you would use 4B and a high energy boost can either be 9B or 2B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 7A or 6B will give you a low energy drop, 10B would be a moderate one, and 5B or 12B would be a high energy drop. Lastly, 4A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Betulia liberata: Aria "Prigionier che fa ritorno" | Niccolò Jommelli, Delphine Galou, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 139 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Porpora: Semiramide regina dell'Assiria: Come nave in ria tempesta | Nicola Porpora, Philippe Jaroussky, Andrea Marcon, Venice Baroque Orchestra | D♭ Major | 2 | 3B | 137 BPM | ||
Viola da Gamba Suite in D Minor: V. Allegro | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 77 BPM | ||
Handel: Ezio, HWV 29, Act 1: "Pensa a serbarmi, o cara" (Ezio) | George Frideric Handel, Philippe Jaroussky | E♭ Major | 1 | 5B | 127 BPM | ||
Chelleri: Dio sul Sinai: "Caderà, perirà" (Dio) | Fortunato Chelleri, Philippe Jaroussky | A♭ Major | 3 | 4B | 91 BPM | ||
Schwanengesang, D. 957: IV. Ständchen | Franz Schubert, Mark Padmore, Paul Lewis | D Major | 0 | 10B | 126 BPM | ||
Britten / Transcr. Garcia: Folksong Arrangements, Vol. II "France": No. 6, Il est quelqu'un sur terre | Benjamin Britten, Philippe Jaroussky, Thibaut García | E Minor | 0 | 9A | 84 BPM | ||
Hahn: 12 Rondels: No. 8, "Quand je fus pris au pavillon" | Reynaldo Hahn, Philippe Jaroussky | F Major | 1 | 7B | 131 BPM | ||
Bononcini: La decollazione di San Giovanni Battista: "Bacio l'ombre e le catene" (S. G. Battista) | Antonio Maria Bononcini, Philippe Jaroussky | F♯ Minor | 1 | 11A | 74 BPM |
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