Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard's 'Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance' came out on January 1, 1986. With this song being about 5 minutes long, at 5:17, "Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance" by Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 16 in the song's album "Purcell: Dido and Aeneas". In this album, this song's track order is #5. Based on our statistics, Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Dido and Aeneas / Act 1: "See, your Royal Guest...If not for mine...To the hills and the vales...The Triumphing Dance by Henry Purcell, Marie McLaughlin, Jessye Norman, Thomas Allen, English Chamber Orchestra Chorus, English Chamber Orchestra, Raymond Leppard having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 3/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
L'incoronazione di Poppea, SV 308 / Act II: Adagiati, Poppea - Oblivion soave | Claudio Monteverdi, Bernarda Fink, English Baroque Soloists, John Eliot Gardiner | G Minor | 0 | 6A | 106 BPM | ||
Destati Lidia mia: Lidia, il sonno sai cos'è? | Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone | D♭ Major | 1 | 3B | 136 BPM | ||
Couperin, F: Deuxième leçon de ténèbres pour le Mercredi saint: II. Zain | François Couperin, William Christie, Patricia Petibon, Les Arts Florissants | C Minor | 0 | 5A | 76 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Benedictus | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | E♭ Major | 2 | 5B | 126 BPM | ||
Les nuits d'été, Op.7: 2. Le spectre de la rose | Hector Berlioz, Jessye Norman, London Symphony Orchestra, Sir Colin Davis | D Major | 0 | 10B | 88 BPM | ||
Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Agnus Dei: Dona nobis pacem | Franz Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Chorus, Bavarian Radio Symphony Orchestra, Sir Colin Davis | D Major | 2 | 10B | 128 BPM | ||
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten | Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist | D Major | 5 | 10B | 101 BPM | ||
Piano Concerto No. 10 in E-Flat Major, K. 365 / 316a: III. Rondo. Allegro | Wolfgang Amadeus Mozart, Murray Perahia, Radu Lupu, English Chamber Orchestra | E♭ Major | 2 | 5B | 91 BPM | ||
Missa pro defuncto Archiepiscopo Sigismundo, "Mass for the death of Archbishop Sigismund": Offertorium: Domine Jesu | Michael Haydn, Ibolya Verebics, Judit Nemeth, Martin Kleitmann, József Moldvay, Hungarian Radio and Television Chorus, Franz Liszt Chamber Orchestra, Helmuth Rilling | G Minor | 1 | 6A | 83 BPM | ||
The Masque Of Hymen: The Last Act - Solo (Cupid): The Joys Of Wedlock | The Scholars Baroque Ensemble, Henry Purcell | F♯ Minor | 0 | 11A | 169 BPM |
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