- BPM
- 101
- Key
- D Major
- Camelot
- 10B
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten - Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist Information
- Acousticness
- 96%
- Danceability
- 46%
- Energy
- 45%
- Instrumentalness
- 9%
- Liveness
- 39%
- Loudness
- 78%
- Speechiness
- 3%
- Valence
- 80%
- Popularity
- 8%
- Loudness
- -13.208 dB
Summary
On January 1, 1991, the song "Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten" was released by Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist. The duration of Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten is about two minutes long, specifically at 2:16. This song does not appear to have any foul language. Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Franz Joseph Haydn, Berliner Philharmoniker, James Levine's "Haydn: The Creation H.21" album is number 10 out of 34. In terms of popularity, Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten BPM
We consider the tempo marking of Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten by Franz Joseph Haydn, Berliner Philharmoniker, James Levine, Stockholm Radio Chorus, Stockholm Chamber Choir, Gustav Sjökvist to be Andante (at a walking pace) because the track has a tempo of 101 BPM, a half-time of 50BPM, and a double-time of 202 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
Die Schöpfung Hob. XXI:2 / Erster Teil: 10. Chor: Stimmt an die Saiten Key
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Grande Messe des Morts: XI. Sequentia: Recordare - Largo | Francois-Joseph Gossec, Roberta Invernizzi, Maite Arruabarrena, Howard Crook, Claude Darbellay, Radio Svizzera Choir, Lugano, Radio Svizzera Italiana Orchestra, Diego Fasolis | F Minor | 1 | 4A | 73 BPM | |
 | Symphony No.3 In C Minor, Op.78 "Organ Symphony": 1. Adagio - Allegro moderato - Poco adagio | Camille Saint-Saëns, Simon Preston, Berliner Philharmoniker, James Levine | A♭ Major | 1 | 4B | 118 BPM | |
 | Requiem in C Minor: V. Sanctus | Luigi Cherubini, Filharmonie Brno, Czech Philharmonic Chorus Brno, Petr Fiala | A♭ Major | 1 | 4B | 72 BPM | |
 | Schubert: Stabat Mater in F Minor, D. 383: No. 3, Chor. "Liebend neiget er sein Antlitz" | Franz Schubert, Michel Corboz, Ensemble Vocal de Lausanne, Orchestre de Chambre de Lausanne | E♭ Major | 1 | 5B | 67 BPM | |
 | St. Matthew Passion, BWV 244 / Part Two: No. 51 Aria (Bass): "Gebt mir meinen Jesum wieder" | Johann Sebastian Bach, Walter Berry, Berliner Philharmoniker, Herbert von Karajan | B Minor | 1 | 10A | 110 BPM | |
 | Requiem in D Minor, WAB 39: IVa. Agnus Dei | Anton Bruckner, Johanna Winkel, Sophie Harmsen, Michael Feyfar, Ludwig Mittelhammer, RIAS Kammerchor, Akademie für Alte Musik Berlin, Łukasz Borowicz | C Major | 0 | 8B | 65 BPM | |
 | Verdi: Messa da Requiem: XIX. Dies iræ | Giuseppe Verdi, Claudio Abbado, Angela Gheorghiu, Eric Ericson Chamber Choir, Orfeon Donostiarra, Swedish Radio Choir, Berliner Philharmoniker | G Minor | 4 | 6A | 76 BPM | |
 | Mass No. 2 in G Major, D. 167: Gloria: Domine Deus | Franz Schubert, Claudia Reinhard, Rüdiger Ballhorn, Markus Flaig, Immortal Bach Ensemble, Leipzig Chamber Orchestra, Morten Schuldt-Jensen | E Major | 0 | 12B | 76 BPM | |
 | Stabat Mater, Op. 58: III. Eja, Mater, fons amoris (Andante con moto) | Antonín Dvořák, Philippe Herreweghe, Collegium Vocale Gent, Royal Flemish Philharmonic | C Minor | 1 | 5A | 72 BPM | |
 | Messa di Gloria: Crucifixus | Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi | F♯ Minor | 0 | 11A | 97 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.7718288898468018
End: 0.7772886753082275