- BPM
- 97
- Key
- F♯ Minor
- Camelot
- 11A
Messa di Gloria: Crucifixus - Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi Information
- Acousticness
- 95%
- Danceability
- 13%
- Energy
- 3%
- Instrumentalness
- 82%
- Liveness
- 6%
- Loudness
- 53%
- Speechiness
- 5%
- Valence
- 4%
- Popularity
- 4%
- Loudness
- -28.295 dB
Summary
"Messa di Gloria: Crucifixus" by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi was released on January 19, 2002. The duration of Messa di Gloria: Crucifixus is about two minutes long, specifically at 2:38. This song does not appear to have any foul language. Messa di Gloria: Crucifixus's duration is considered a little bit shorter than the average duration of a typical track. There are a total of 15 in the song's album "Puccini: Messa Di Gloria / Preludio Sinfonico". In this album, this song's track order is #9. Furthermore, we believe that the track originated from Hong Kong. In terms of popularity, Messa di Gloria: Crucifixus is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Messa di Gloria: Crucifixus BPM
With Messa di Gloria: Crucifixus by Giacomo Puccini, Gunnar Lundberg, Antonello Palombi, Hungarian Radio Chorus, Hungarian Operetta Orchestra, Pier Giorgio Morandi having a BPM of 97 with a half-time of 48 BPM and a double-time of 194 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 3/4.
Messa di Gloria: Crucifixus Key
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Turandot / Act 2: Ho una casa nell'Honan | Giacomo Puccini, Tom Krause, Pier Francesco Poli, Piero de Palma, London Philharmonic Orchestra, Zubin Mehta | A Major | 1 | 11B | 75 BPM | |
 | Messiah, HWV 56: Part 2: Surely He hath borne our griefs (Chorus) | Nikolaus Harnoncourt | G Major | 3 | 9B | 159 BPM | |
 | Die Schöpfung, Hob. XXI:2, Erster Teil: IX. Arie "Nun beut die Flur das frische Grün" | Joseph Haydn, Orchestre des Champs-Élysées, Philippe Herreweghe, Christina Landshamer | A Major | 0 | 11B | 79 BPM | |
 | Manon Lescaut / Act 1: Tra voi, belle, brune e bionde (Des Grieux, Edmondo, Studenti) | Giacomo Puccini, Marco Berti, José Cura, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Riccardo Muti | D Major | 1 | 10B | 93 BPM | |
 | Annelies (chamber version): III. The plan to go into hiding | James Whitbourn, Arianna Zukerman, Westminster Williamson Voices, Lincoln Trio, Bharat Chandra, James Jordan | A Minor | 1 | 8A | 173 BPM | |
 | Te deum, LWV 55: I. Te Deum | Jean-Baptiste Lully, Stephane Fuget, Les Épopées, Les Pages & Les Chantres du Centre de Musique Baroque de Versailles | B♭ Major | 5 | 6B | 79 BPM | |
 | Madama Butterfly / Act 2: Una nave da guerra...Scuoti quelle fronda | Giacomo Puccini, Fiorenza Cossotto, Renata Tebaldi, Orchestra dell'Accademia Nazionale di Santa Cecilia, Tullio Serafin | A Major | 2 | 11B | 83 BPM | |
 | Bach, CPE: Magnificat in D Minor, Wq. 215: VI. Deposuit potentes | Carl Philipp Emanuel Bach, Geraint Jones, Helen Watts, Wilfred Brown, Geraint Jones Orchestra | F Major | 1 | 7B | 85 BPM | |
 | Te Deum In C Major - Hob. XXIIIc:2: "Te ergo quaesumus" Adagio | Franz Joseph Haydn, Nicholas Parle, The English Concert, Trevor Pinnock, The English Concert Choir | C Major | 0 | 8B | 70 BPM | |
 | 6 Quartette, Op. 112: I. Sehnsucht | Johannes Brahms, Orpheus Vokalensemble, Antonii Baryshevskyi, Michael Alber | B♭ Major | 1 | 6B | 111 BPM |
- ISRC
- HKI190053109
- Label
- L-M Records/RCA Records
Section: 0.7438409328460693
End: 0.7484922409057617