Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone made "Destati Lidia mia: Lidia, il sonno sai cos'è?" available on January 1, 2003. The duration of Destati Lidia mia: Lidia, il sonno sai cos'è? is about 3 minutes long, at 3:22. Based on our data, "Destati Lidia mia: Lidia, il sonno sai cos'è?" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. The song is number 3 out of 32 in Arcadia by Andreas Scholl, Accademia Bizantina, Ottavio Dantone. Based on our statistics, Destati Lidia mia: Lidia, il sonno sai cos'è?'s popularity is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Destati Lidia mia: Lidia, il sonno sai cos'è? by Francesco Gasparini, Andreas Scholl, Accademia Bizantina, Ottavio Dantone is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Psyche, Act II Scene 1: Dance of Priests | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | ||
Dido and Aeneas, Z. 626, Act I: Cupid only throws the dart - If not for mine for Empire's sake - Persue thy conquest Love | Henry Purcell, La Nuova Musica, David Bates, Matthew Brook, Giulia Semenzato | F♯ Minor | 2 | 11A | 126 BPM | ||
sì sì, sì consolami | Fredrik Schwenk, Francesco Gasparini, Sonja Isabel Reuter, Yohan Kim | C Major | 3 | 8B | 82 BPM | ||
Vorresti o labro amante: Vorresti o labro amante | Francesco Gasparini, Ann Hallenberg, Wolfgang Katschner, Lautten Compagney, Ditte Andersen | B Minor | 1 | 10A | 130 BPM | ||
Vinci: Artaserse: III. Minuetto | Leonardo Vinci, Diego Fasolis, Philippe Jaroussky, Max Emanuel Cenčić, Franco Fagioli, Valer Barna-Sabadus, I Barocchisti, Yuriy Mynenko, Daniel Behle, Concerto Köln | D♭ Major | 1 | 3B | 151 BPM | ||
Orfeo ed Euridice, Wq. 30: Qual vita è questa mai | Christoph Willibald Gluck, Hera Hyesang Park, Wiener Symphoniker, Bertrand de Billy, Johannes Maria Bogner | B Minor | 0 | 10A | 88 BPM | ||
Les goûts-réunis, ou Nouveaux Concerts, Concert No. 9 in E Major "Il ritratto dell'amore": No. 4, Le je-ne-scay-quoy | François Couperin, Emanuel Abbühl, David Tomàs, Carla Sanfelix, Miklós Spányi, Benoît Fallai | E Major | 1 | 12B | 82 BPM | ||
Missa pro Defunctis in E-Flat Major, HocJ A1.3: V. Sanctus, 1. Sanctus, Dominus Deus | Niccolò Jommelli, Gudrun Sidonie Otto, Il Gardellino, Helen Charlston, Daniel Johannsen, Peter Van Heyghen | B♭ Minor | 2 | 3A | 77 BPM | ||
Nisi Dominus, RV 608: IV. Cum dederit | Antonio Vivaldi, Maarten Engeltjes, PRJCT Amsterdam | A♭ Major | 1 | 4B | 142 BPM | ||
Santa Maria Egiziaca: Part I: Recitative: Ma non miri, o Maria, splendore d'Egitto (Pleasure, Maria) | Francesco Gasparini, Constanze Backes, Joachim Diessner, Christoph Burmester-Streffer, Olaf Tetampel, Ensemble Corydon Cologne | F♯ Major | 1 | 2B | 121 BPM |
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