- BPM
- 136
- Key
- A Major
- Camelot
- 11B
Charpentier : Médée, Act 3: Premier Air pour les Démons - Marc-Antoine Charpentier, William Christie, Les Arts Florissants Information
- Acousticness
- 92%
- Danceability
- 44%
- Energy
- 18%
- Instrumentalness
- 0%
- Liveness
- 12%
- Loudness
- 64%
- Speechiness
- 10%
- Valence
- 29%
- Popularity
- 2%
- Loudness
- -21.304 dB
Summary
Marc-Antoine Charpentier, William Christie, Les Arts Florissants's 'Charpentier : Médée, Act 3: Premier Air pour les Démons' came out on March 28, 1995. With Charpentier : Médée, Act 3: Premier Air pour les Démons being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 42 out of 66 in Charpentier : Médée by Marc-Antoine Charpentier, William Christie, Les Arts Florissants. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Charpentier : Médée, Act 3: Premier Air pour les Démons's popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
Charpentier : Médée, Act 3: Premier Air pour les Démons BPM
The tempo marking of Charpentier : Médée, Act 3: Premier Air pour les Démons by Marc-Antoine Charpentier, William Christie, Les Arts Florissants is Allegro (fast, quick, and bright), since this song has a tempo of 136 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
Charpentier : Médée, Act 3: Premier Air pour les Démons Key
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Psyche, Act I Scene 1: Dance for Ambition, Power, Plenty and Peace | Matthew Locke, Ensemble Correspondances, Sébastien Daucé | D♭ Major | 1 | 3B | 122 BPM | |
 | David et Jonathas, H. 490, Acte III Scène 4: Achevons ; mon bonheur passe mon espérance (Joabel, chœur) | Marc-Antoine Charpentier, Jean-François Novelli, Les Pages du Centre de musique baroque de Versailles, Les Chantres du Centre de Musique baroque de Versailles, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | |
 | Zaïs, Ouverture | Jean-Philippe Rameau, Les Talens Lyriques, Christophe Rousset | C Major | 4 | 8B | 137 BPM | |
 | Komm, Jesu, komm, BWV 229 | Johann Sebastian Bach, The Monteverdi Choir, John Eliot Gardiner | F♯ Minor | 1 | 11A | 131 BPM | |
| David et Jonathas, H. 490, Prologue Scène 1: Où suis-je ? qu'ai-je fait ? (Saül) | Marc-Antoine Charpentier, David Witczak, Les Temps Présents, Dominique Serve, Olivier Schneebeli | A♭ Major | 2 | 4B | 118 BPM | |
 | Deborah, HWV 51: Part II: Chorus - The great King of Kings will aid us too | George Frideric Handel, Natacha Ducret, Elisabeth Scholl, Ewa Wolak, Lawrence Zazzo, Junge Kantorei, Frankfurt Baroque Orchestra, Joachim Carlos Martini | D♭ Major | 2 | 3B | 111 BPM | |
| David et Jonathas, H. 490, Acte II: Prélude | Marc-Antoine Charpentier, Les Temps Présents, Olivier Schneebeli, Dominique Serve | A♭ Major | 2 | 4B | 118 BPM | |
 | Der Herr ist mit mir, BuxWV 15 | Dietrich Buxtehude, Anima Eterna, Collegium Vocale, Jos Van Immerseel | C Minor | 1 | 5A | 72 BPM | |
 | Marc'Antonio e Cleopatra: Aria "Morte col fiero aspetto" | Johann Adolf Hasse, Anna Prohaska, Il Giardino Armonico, Giovanni Antonini | F♯ Minor | 2 | 11A | 125 BPM | |
 | Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro | Arcangelo Corelli, Teodoro Baù, Andrea Buccarella | D♭ Major | 4 | 3B | 63 BPM |
- ISRC
- FRZ209408654
- Label
- L-M Records/RCA Records
Section: 0.7394053936004639
End: 0.7434461116790771