Arcangelo Corelli, Teodoro Baù, Andrea Buccarella made "Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro" available on August 19, 2022. The duration of Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro is about two minutes long, specifically at 2:43. This song does not appear to have any foul language. Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro's duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 25 in Corelli: Sonatas for Viola da Gamba & Continuo by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella. Going off of the ISRC code of this track, we detected that the origin of this track is from Belgium. Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro is not that popular right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
The tempo marking of Violin Sonata in E Major, Op. 5 No. 11 (Transcr. for Viola da Gamba and Continuo by Teodoro Baù): II. Allegro by Arcangelo Corelli, Teodoro Baù, Andrea Buccarella is Larghetto (rather broadly), since this song has a tempo of 63 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
D♭ Major is the music key of this track. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Suite Nr. 2 H-moll - 6. Polonaise - Arrangement Für Flöte Und Orchester | Philippe Racine, Simon Preston, English Chamber Orchestra | B Minor | 1 | 10A | 0 BPM | ||
Hamburg Symphony No. 3 in C Major, Wq. 182: III. Allegretto | Carl Philipp Emanuel Bach, Arte dei Suonatori, Marcin Świątkiewicz | F♯ Major | 2 | 2B | 136 BPM | ||
Mensa sonora / PARS I (In D Major): 3. Courante | Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 2 | 3B | 65 BPM | ||
Arpeggiata (Prelude) | Carl Friedrich Abel, Paolo Pandolfo | D♭ Minor | 0 | 12A | 133 BPM | ||
Concerto Grosso In D Major, Op. 6, No. 4 : I. Adagio - Allegro | Arcangelo Corelli, Anna Holbling, Quido Holbling, Ludovit Kanta, Daniela Ruso, Capella Istropolitana | D Major | 3 | 10B | 130 BPM | ||
Trio Sonata in D Major, Op. 3 No. 2: I. Grave | Arcangelo Corelli, Ensemble Aurora, Enrico Gatti | D♭ Major | 0 | 3B | 64 BPM | ||
Ludi musici I: 8. Galliard a 4, SSWV 46 | Samuel Scheidt, L'Achéron, François Joubert-Caillet | D♭ Major | 2 | 3B | 66 BPM | ||
The Fairy Queen, Z. 629: Hornpipe | Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin | G Major | 1 | 9B | 118 BPM | ||
Aria and 6 Variations in G Minor, P.196: VII. Variatio 6 | Johann Pachelbel, Simone Stella | G Major | 2 | 9B | 197 BPM | ||
Theodora, HWV 68, Overture: Trio | George Frideric Handel, Arcangelo, Jonathan Cohen | D Major | 1 | 10B | 89 BPM |
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