On January 1, 1988, the song "Mensa sonora / PARS I (In D Major): 3. Courante" was released by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. With Mensa sonora / PARS I (In D Major): 3. Courante being less than two minutes long, at 1:10, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 3 out of 47 in Biber: Mensa Sonora by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Mensa sonora / PARS I (In D Major): 3. Courante is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Mensa sonora / PARS I (In D Major): 3. Courante by Heinrich Ignaz Franz von Biber, Musica Antiqua Köln, Reinhard Goebel is Larghetto (rather broadly), since this song has a tempo of 65 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. This also means that this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Airs for the Autumn: Belvedere: II. Non presto: Allegro | James Oswald, The Broadside Band | F♯ Minor | 3 | 11A | 99 BPM | ||
Concerto di Flauti, S.D945: III. Presto | Alessandro Marcello, Dorothee Oberlinger | G Major | 1 | 9B | 143 BPM | ||
Concerto Grosso No. 2 in G Major (after D. Scarlatti): I. Largo | Charles Avison, The Avison Ensemble, Pavlo Beznosiuk | F♯ Major | 1 | 2B | 87 BPM | ||
The Art Of Fugue, BWV 1080: Contrapunctus 4 | Johann Sebastian Bach, Musica Antiqua Köln, Reinhard Goebel | D♭ Minor | 2 | 12A | 91 BPM | ||
"Sonate en Quatuor" in A Minor, Op. 17 No. 6: I. Without Tempo Indication | Louis-Gabriel Guillemain, Wilbert Hazelzet, Jaap Ter Linden, Musica Antiqua Köln, Reinhard Goebel | B♭ Major | 1 | 6B | 79 BPM | ||
Amphitryon, Z. 572, "The 2 Sosias": V. Air | Henry Purcell, Andrea Jeffrey, Michelle Kettrick, Nicole Bower, Giles Tomkins, Aradia Ensemble, Kevin Mallon | F♯ Minor | 2 | 11A | 91 BPM | ||
Sonate cioè balletti: No. 14, Passacaglio "Il Marcquetta" | Giovanni Antonio Pandolfi Mealli, London Baroque | B Minor | 1 | 10A | 95 BPM | ||
Sonata (Concerto) In C Major TWV 40:203, For 4 Violins Without Basso Continuo: 3. Largo e staccato | Georg Philipp Telemann, Reinhard Goebel, Stephan Schardt, Julia Huber-Warzecha, Mary Utiger | B Major | 0 | 1B | 118 BPM | ||
Sinfonia in E Major: IV. Allegro | Johan Helmich Roman, Camerata Nordica, Terje Tonnesen | B♭ Major | 2 | 6B | 113 BPM | ||
Canon and Gigue in D Major: I. Canon | Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel | D♭ Major | 3 | 3B | 77 BPM |
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