Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel's 'Canon and Gigue in D Major: I. Canon' came out on June 20, 2020. The duration of Canon and Gigue in D Major: I. Canon is about 3 minutes long, at 3:08. Based on our data, "Canon and Gigue in D Major: I. Canon" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 100 in the song's album "Pachelbel: Canon and Gigue". In this album, this song's track order is #1. Furthermore, we believe that the track originated from Germany. Canon and Gigue in D Major: I. Canon is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Canon and Gigue in D Major: I. Canon by Johann Pachelbel, Henk Bouman, Musica Antiqua Köln, Reinhard Goebel having a BPM of 77 with a half-time of 38 BPM and a double-time of 154 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
I. Overture: II. Rondo | Henry Purcell, Raymond Leppard, English Chamber Orchestra | D Minor | 3 | 7A | 100 BPM | ||
Abdelazar Suite, Z. 570: VI. Air | Henry Purcell, Camerata Nordica, Terje Tonnesen | G Minor | 2 | 6A | 131 BPM | ||
Concerto in G major Seibel 214 - Darmstadt 1715: 1. Vivace | Johann David Heinichen, Musica Antiqua Köln, Reinhard Goebel | F♯ Major | 3 | 2B | 123 BPM | ||
Waldszenen, Op. 82: No. 7 Vogel als Prophet | Robert Schumann, Wilhelm Kempff | E Major | 0 | 12B | 120 BPM | ||
Barcarolle | Jacques Offenbach, Arthur Fiedler, Boston Pops Orchestra | D♭ Minor | 3 | 12A | 110 BPM | ||
Kinderszenen (Scenes of Childhood), Op. 15: I. Von fremden Landern und Menschen (Of Foreign Lands and People) | Robert Schumann, Jenő Jandó | G Major | 0 | 9B | 66 BPM | ||
Le bourgeois gentilhomme: Chaconne des Scaramouches, Frivelins et Arlequins | Jean-Baptiste Lully, Mary Enid Haines, Sharla Nafziger, Aradia Ensemble, Kevin Mallon | F♯ Major | 0 | 2B | 0 BPM | ||
Minuet from String Quintet in E Major, Op. 13 No. 5 | Luigi Boccherini, Mischa Maisky, Orpheus Chamber Orchestra | A Major | 0 | 11B | 86 BPM | ||
Scottish Fantasy for Violin and Orchestra, Op. 46: IV. Finale: Allegro guerriero | Max Bruch, Joshua Bell, Academy of St. Martin in the Fields | E♭ Major | 2 | 5B | 97 BPM | ||
Le roi s'amuse: Final | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Minor | 1 | 8A | 94 BPM |
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