Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin made "The Fairy Queen, Z. 629: Hornpipe" available on September 1, 2017. With The Fairy Queen, Z. 629: Hornpipe being less than two minutes long, at 1:14, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 54 in the song's album "Purcell: The Fairy Queen, Z. 629". In this album, this song's track order is #2. Furthermore, we believe that the track originated from Spain. In terms of popularity, The Fairy Queen, Z. 629: Hornpipe is currently not that popular. Even with the track produces more of a neutral energy, it is pretty danceable compared to others.
With The Fairy Queen, Z. 629: Hornpipe by Henry Purcell, Les Nouveaux Caractères, Sébastien d'Hérin having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Oboe Concerto in C Major, Op. 9, No. 5: III. Allegro | Tomaso Albinoni, Anthony Camden, London Virtuosi, John Georgiadis | C Major | 3 | 8B | 103 BPM | ||
Dido and Aeneas / Act 3: But death...When I am laid...With drooping wings... | Henry Purcell, Dame Janet Baker, The St. Anthony Singers, English Chamber Orchestra, Anthony Lewis | G Minor | 1 | 6A | 75 BPM | ||
Concerto Grosso in A Minor, Op. 3, No. 2: II. Allegro | Francesco Onofrio Manfredini, Capella Istropolitana, Jaroslav Krcek | A Minor | 1 | 8A | 108 BPM | ||
Pièces de Clavecin, Livre I: XIII. La Genty | Claude Balbastre, Christophe Rousset | A♭ Major | 5 | 4B | 84 BPM | ||
Premier Concert: Allemande - Légèrement (Couperin) | Le Concert Des Nations, Jordi Savall | D Minor | 2 | 7A | 167 BPM | ||
Symphony in D Major, J-C 16: I. Alla breve | Giovanni Battista Sammartini, Aradia Ensemble, Kevin Mallon | A♭ Major | 1 | 4B | 64 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1060: II. Largo Ovvero Adagio | Cologne Chamber Orchestra, Michael Behringer, Robert Hill, Johann Sebastian Bach | C Minor | 2 | 5A | 176 BPM | ||
Concerto Grosso In F Minor, Op. 1, No. 8: III. Andante | Pietro Locatelli, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Minor | 1 | 8A | 99 BPM | ||
Concerto For 2 Keyboards In C Minor, BWV 1062: III. Allegro Assai | Cologne Chamber Orchestra, Robert Hill, Michael Behringer, Johann Sebastian Bach | F Minor | 4 | 4A | 107 BPM | ||
Flute Concerto in A Minor, QV 5:238: III. Allegro assai | Johann Joachim Quantz, Mary Oleskiewicz, Concerto Armonico Budapest, Miklós Spányi | G Minor | 1 | 6A | 110 BPM |
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